Sabtu, 11 Juli 2015

~ PDF Download The Method of Zen, by Eugen Herrigel

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The Method of Zen, by Eugen Herrigel

A precise description of the techniques used in Zen training.

  • Sales Rank: #544064 in Books
  • Published on: 1974-08
  • Released on: 1974-07-12
  • Original language: German
  • Number of items: 1
  • Dimensions: 7.24" h x .29" w x 4.36" l, .15 pounds
  • Binding: Paperback
  • 128 pages

Review
"When Eugen Herrigel died in 1955 he had published only one book, but it was a classic of its kind, Zen in the Art of Archery. He also left voluminous notes describing his six years of training under a Japanese Zen Master. These, edited and revised by Alan Watts and others, form The Method of Zen... even surpassing Herrigel's earlier work."

-- San Francisco Sunday Chronicle

"A more charmingly written, informative and important primer on any subject, let alone one as obscure as Zen, is hard to come by."

-- Faubion Bowers, The New York Times Book Review

Language Notes
Text: English, German (translation)

From the Inside Flap
A precise description of the techniques used in Zen training.

Most helpful customer reviews

22 of 22 people found the following review helpful.
an engaging, artless and uplifting book
By A Customer
For anyone who's ever been attracted by the tranquility and equanimity of Zen, yet put off by the massive tomes written on it, this book, in its lyrical simplicity, will allow you to feel zen.

40 of 41 people found the following review helpful.
Clear and Concise
By Mary S.
Of the many books I have read concerning the subject of Zen Buddhism, none can be considered more lucid, succint, and enthralling than this book. Herrigel's knack for brevity will be more than welcome to the Occidental who has searched for such a book. Authors such as Alan Watts, and especially D.T. Suzuki have no qualms about making the claim that Zen eschews verbosity and does not espouse any sort of philosophy, and that it lacks the abstraction of Westerners. However, after reading these works, my head reeled with the constant paradoxes set forth by Suzuki who consistently and simultaneously reminded me that I wouldn't understand such subjects until enlightened. This led me to wonder...then why have you written you a 300 page book describing such an experience? No matter though; what THIS book is is a wonderful account of the changes and insights that happen to a person willing to give himself to the path that Zen offers.

3 of 3 people found the following review helpful.
zen perfect
By a researcher
I have been a practicing zen buddhist for over 27 years, including spending time in a zen monastery, and have never found a book (excluding his first, "zen in the art of archery", also a must read) that more completely captured the essence of zen (and life).

See all 7 customer reviews...

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Rabu, 08 Juli 2015

# Download Ebook The Essential Gandhi, by Mahatma Gandhi

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The Essential Gandhi, by Mahatma Gandhi

Gandhi's thoughts on such topics as civil disobedience, non-violence,liberty, socialism and communism, and how to enjoy jail.

  • Sales Rank: #1075415 in Books
  • Brand: Vintage
  • Published on: 1983-01-12
  • Released on: 1983-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .81" h x 4.35" w x 7.26" l,
  • Binding: Paperback
  • 384 pages
Features
  • Great product!

Review
"Gandhi believed in revealing himself. He regarded secrecy as the enemy of freedom-not only the freedom of India but the freedom of man. He exposed even the innermost personal thoughts which individuals usually regard as private. In nearly a half-century of prolific writing, speaking, and subjecting his ideas to the test of actions, he painted a detailed self-portrait of his mind, heart, and soul.

"Gandhi was a unique person, a great person, perhaps the greatest figure of the last nineteen hundred years. And his words have been preserved as they came from his mouth and pen."

-- Louis Fischer

From the Inside Flap
Gandhi's thoughts on such topics as civil disobedience, non-violence,liberty, socialism and communism, and how to enjoy jail.

From the Back Cover
"Gandhi believed in revealing himself. He regarded secrecy as the enemy of freedom-not only the freedom of India but the freedom of man. He exposed even the innermost personal thoughts which individuals usually regard as private. In nearly a half-century of prolific writing, speaking, and subjecting his ideas to the test of actions, he painted a detailed self-portrait of his mind, heart, and soul.

"Gandhi was a unique person, a great person, perhaps the greatest figure of the last nineteen hundred years. And his words have been preserved as they came from his mouth and pen."

-- Louis Fischer

Most helpful customer reviews

84 of 85 people found the following review helpful.
Mind Over Matter
By L. Morgan
The Essential Gandhi presents important spiritual and politial concepts from Gandhi's concise, prophetic speeches and writings. Editor Louis Fischer accurately frames Gandhi's quotes, often explaining the political or cultural environment in South African and India as it was in Gandhi's time..
This book is a difficult read because it is a collection of quotes that have been organized by subject, albeit somewhat poorly. Nevertheless, it offers tremendous insights.
I recommend The Essential Gandhi highly to those seeking spirituality and truth, and do not recommend it to those interested in a casual intellectual read.

105 of 109 people found the following review helpful.
Best Gandhi book available.
By Bob Pitto
I have read every Gandhi book i could get my hands on, such as all his autobiographies, and this book is by far the best and just as accurate. With this book and the writings that are on his official website, you will have all the information you will ever need. One thing to keep in mind, that many people seem to forget, is that Gandhi was a normal man like you and me. He made mistakes just like every other man, but had the courage to always follow his 'inner voice' even in his unperfectness. This is a life changing book for those who dare to look within themselves.

38 of 41 people found the following review helpful.
Great Thoughts from a Great Man
By James Riley
This is a mind opening, life changing book. The thoughts and writings, spaning over the entire course of Gandhi's life, offer a glipse into the mind and habits of one of God's greatest followers. His peaceful approach to life and his undying love for friend and foe alike will motivate any reader to the highest level. This is a must read for anyone, regardless of nationality or creed, who wishes to see the potential all humans have within them.

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Senin, 06 Juli 2015

> Fee Download The Best Defense, by Alan M. Dershowitz

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The Best Defense, by Alan M. Dershowitz

The author presents his most famous, and infamous, cases and clients, and in the process, takes a critical, informed look at a legal system that he regards as deeply corrupt.

  • Sales Rank: #332636 in Books
  • Published on: 1983-05-12
  • Released on: 1983-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.95" h x 1.09" w x 5.16" l, 1.05 pounds
  • Binding: Paperback
  • 464 pages

From the Inside Flap
The author presents his most famous, and infamous, cases and clients, and in the process, takes a critical, informed look at a legal system that he regards as deeply corrupt.

From the Back Cover
The courtroom confrontations of America's most outspoken lawyer of last resort he lawyer who won the Claus von Bulow appeal. 'An over-used promise of book promoters is that a book 'has something for everyone.' In the case of Alan Dershowits'z The Best Defense the promise is fulfilled.'--New York Law Journal

Most helpful customer reviews

37 of 41 people found the following review helpful.
An arcane process made fascinating
By Tom Munro
The author of this book is a law professor who does appellant work part time. Unlike the cut and thrust of jury work appeals have generally been seen as dry rarefied and uninteresting. The author however writes in an entertaining and self deprecating way which brings the process alive. It is one of the most enjoyable books written about the law that I have read for some time.
The author also writes about the cases he loses. So many books by advocates focus on the success and are about self grandisment.
Overall the impression given is how much of a dogged slog it is to achieve justice in the American System and how much calculation and thought has to go into every strategy and move. One of the amazing things in the book is how the author is so critical of a number of judges and how willing he is to make those criticisms.
It is an excellent book which shows the many flaws and weakness of the American justice system.

7 of 7 people found the following review helpful.
engaging, insightful, personal, educational
By J. Duncan
this book succeeds on many levels and as such should appeal to many readers:
1. as an explanation for how our judicial system is setup and operates;
2. putting a face and personal touch behind many famous (porn star harry reams, prince of the city robert leuci, etc. etc.) and less famous, but just as interesting, trials;
3. as a series of engaging human interest stories;
4. as a chronicle of the early careers of now wildly famous people like, for example, rudy guiliani who appears as a young prosecutor in the case involving robert leuci.
this book was written at a time when dershowitz was more focused on trials as opposed to politics, so it reads without the over tones of his later works. this will be good for readers that don't agree with his politics and it's a refreshing change during this time where there are so many books that carry a political agenda.
each chapter averages about 20 pages and discusses a different case. so you can read one a night or a polish off a few while travelling. dershowitz' delivery is completely candid about the the conversations and people involved in each case. i was continually surprised about the intimate details revealed for each case.
i think this book will have great appeal to readers of spy-thrillers because they will be entertained by the stories, plot twists and uncertain endings (dershowitz discusses cases in which he won and lost), while at the same time discovering many realities of our courts and beyond.

5 of 5 people found the following review helpful.
A great read for both lawyers and lay people
By Michael C. Howard
Dershowitz is a great writer. Love him or hate him, you can't deny this man's writing ability. His style is relatively informal, avoiding overly-intelectual language and instead opting to use plain language. This style allows the reader to focus on the content and ideas behind text, rather than constantly look words up in the dictionary. In this book, Dershowitz retells some of the more gripping cases he's been involved in. The book is partly crime novel, taking the reader thru the case step by step. The book is partly theoretical, using the cases to instruct on the way the legal system should or does work. I recommend the book highly for the law student, lawyer, and lay person as it will instruct you to how the criminal justice system really is.

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Kamis, 02 Juli 2015

## PDF Download One Knee Equals Two Feet: And Everything Else You Need to Know About Football, by John Madden

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One Knee Equals Two Feet: And Everything Else You Need to Know About Football, by John Madden

With anecdotes and observations, and a minumum of technical terms, Madden gives us an insider's view of the pains, pleasures, gossip, and people that make up America's favorite sport. Madden is a former lineman and head coach for the Oakland Raiders. Anderson is a Pulitzer Prize-winning sports columnist and author. HC: Random House. (Nonfiction)

  • Sales Rank: #1224298 in Books
  • Published on: 1986-08-12
  • Released on: 1986-08-12
  • Original language: English
  • Number of items: 2
  • Binding: Hardcover
  • 225 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Dated...but still a winner
By bigbook
Keeping in mind that the latest edition of "One Knee..." was published in 1987, I found the book to be funny, informative, opinionated and dated. For instance, Madden frequently refers to "up and coming stars" like Elway and Marino. Written in John's usual breezy, earthy Joe Sixpack style, "One Knee..." is still a good, quick read for NFL fans. Especially fans who have fond memories of players like Joe Montana and Walter Payton.

5 of 7 people found the following review helpful.
ANOTHER GOOD READ FROM JOHN MADDEN
By A Customer
ONE KNEE EQUALS TWO FEET IS ANOTHER FINE BOOK BY JOHN MADDEN. HE GIVES US SOME INSIGHT INTO WHO HE RATES AS THE BEST IN EACH POSITION. HE ALSO OFFERS SOME TIPS AS TO WHAT TO LOOK FOR IN ANALYZING WHAT KIND OF PLAY WILL BE RUN AND HOW EACH POSITION SHOULD RESPOND. JOHN DEFINATELY HAS AN ENDLESS AMOUNT OF ENERGY, KNOWLEDGE, AND HUMOR. HIS ENTHUSIASM FOR FOOTBALL IS BOUNDLESS AND VERY CONTAGIOUS. I ENJOYED THIS BOOK AND HIGHLY RECOMMEND IT FOR KNOWLEDABLE FOOTBALL FANS. VERY WELL DONE.

0 of 0 people found the following review helpful.
Classic football stories, football glory and interesting views of football by the legendary coach
By Joe Owen
This classic book of football in all its glory, pain, humor, and reflection was written in 1986 by NFL Hall of Fame Coach John Madden. The former Oakland Raiders Coach tells humorous and interesting stories about his former players like Kenny Stabler, Jack Tatum and other Raider greats. He tells behind the scenes stories of legendary games and the Super Bowl he won. He also talks football strategy and some of the plays he designed that were good or really bad. The reason why he doesn't fly but drove an RV to each game after he became an Analyst and commentator on TV.
When he was coach of the Raiders I really disliked him. I thought he was a jerk and whiner of a team of bums and thugs. My opinion changed when I saw him as a valued commentator and after I read this great book. I thought afterwords, "I like this coach!". After reading this excellent book you the reader will like John Madden too! He is missed on TV and I hope he is enjoying his well deserved retirement.

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Minggu, 28 Juni 2015

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The M.d.: A Horror Story, by Thomas M. Disch

Dr. William Michaels owes his worldwide success to a mysterious talisman with terrifying powers. The talisman can only perform if Michaels "charges" it through chilling acts of deliberate evil, and Michaels becomes trapped in a world ravaged by monstrous disorders. "One of the best novels of horror-fantasy I've ever read".--Stephen King.

  • Sales Rank: #2142816 in Books
  • Published on: 1991-04-23
  • Released on: 1991-04-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.75" w x 1.50" l,
  • Binding: Hardcover
  • 401 pages

From Library Journal
Endowed with the power to heal or destroy by the Roman god Mercury, Minnesota grade schooler Billy Michaels embarks on a strange lifelong journey. Spanning the early 1970s through 1999, this well-written horror novel takes Billy from childhood innocence and casual cruelty to adult greed and calculated evil. Mercury's gift to Billy is his staff, the caduceus--longtime symbol of the medical profession. Both the child Billy and later the physician William wield this serpentine instrument as one might a sorcerer's wand. A multitude of major and supporting characters, a good many subplots, plus much dark and wicked humor all contribute to the tale's success. By the author of the children's fantasy The Brave Little Toaster and several science fiction works, this lengthy adult entertainment is well suited for summer weekend reading. BOMC alternate.
- James B. Heme sath, Adams State Coll. Lib., Alamosa, Col.
Copyright 1991 Reed Business Information, Inc.

Review
"The M.D. is an extraordinary feat of imagination and frequently is outright mesmerizing." —Washington Post

"Profound and dark and very dire, but it is also a page-turner. And each new page, like an electric eel, is poised to shock." —Los Angels Times

About the Author
Thomas M. Disch (1940-2008) was a best-selling and prolific American science fiction writer and poet. He won several awards, including the Hugo Award for Best Non-Fiction Book in 1999.
John Clute, author of the novel Appleseed, has won several Hugo Awards for his work.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Not the usual medical thriller; imaginative and magical
By Schtinky
Young Billy lives with his father and stepmother and younger half-brother Ned. Billy is a loner, and different from other children. He thinks a lot, and has a greater imagination. He also has a streak of meanness, and when he is given a magical stick, with a dead bird tied to it, he finds that he can make things happen. Occasionally, Billy will make something good happen, but most of the time his desires, in the form of poems, are mischievous to downright cruel. After crippling his brother, causing his Grandma's hair to fall out, and stopping his step-mother from drinking by making her vomit every time she tastes alcohol. Billy's odd obsession with bizarre games in his mind, starting with bowling pin armies and ending with his visions over the stick, fuel his imagination and need to keep using his "powers". He gifts members of his family with good health, but his father dies in an accident. Staying with his stepmother, he becomes a Doctor and has an affair with his step-sister, and decides that as a medical professional he can use his "magic". But, will he use it for the good of mankind, or will his tendency towards cruelty lead him down a more sinister path? Only the "confusion" at the end of the story stops this from being a 5 star book, it just seemed a little like Mr. Disch didn't quite know how to finish it.
This is a great book, jumping large time frames at times, and long on prose occasionally, but still manages to be a quick read for medical thriller lovers.

3 of 3 people found the following review helpful.
What makes Tom Disch such an amazing writer?
By Robert Beveridge
Thomas M. Disch, The M.D. (Berkley, 1991)

There's a scene about halfway through The M.D. that really shows why Thomas M. Disch, though not a household name in letters, is revered by critics and discerning bibliophiles. I'm usually the harshest of reviewers when it comes to message fiction, that strain of writing where the plot is stopped in order for the writer to advance a point of view. But there's a debate here between a tobacco advocacy group executive and a bright thirteen-year-old boy that is so sparkling, not to mention well-written, that it's actually one of the best parts of the book. And I don't even agree with the viewpoint that wins. Of course, this could be because unlike most message fiction, Disch actually manages to make this debate integral to the plot. Yes, I mean integral; it sets up a couple of things that aren't exactly plot points, but that the whole framework of the fourth part of the book rests on. This isn't just some guy ranting, it's some guy who's plotted his book out in such detail that he knows exactly how far he can go with this diatribe and still get away with it. That's the mark of a master, and make no mistake about it--Thomas M. Disch defines "master". He's like the Einsturzende Neubauten of American writers; not well-known by the public, but hugely influential among those who do the same thing he does.

The M.D. is the story of Billy, who is six years old and stuck in Catholic primary school as we start the book. After being told by a nun that Santa Claus doesn't exist, Billy contradicts her--after all, he's seen Santa Claus with his own two eyes. This exchange ends with Billy being sent to the office, but he never gets there. Instead, he runs away (without his coat in the middle of winter) to his private place, a secluded part of the local park, where we find out that maybe Billy isn't kidding, for Santa Claus appears to him again and promises that he's going to tell Billy a secret sometime soon. And when he does, this time appearing in the guise of the god Mercury, what a secret it is. Billy's annoying older brother Ned has created a makeshift caduceus in order to terrorize Billy; he took two twined sticks and tied a dead bird to them. Not your classic caduceus, to be sure, but where the sign of Mercury exists, he can invest it with power. And he bequeaths the caduceus to Billy, who can use it to heal. But it has a finite amount of energy. In order to replenish it, Billy must also make things sick...

This is your basic three-wishes story, but unlike most stories of this type, we have a thoughtful protagonist who actually learns from his mistakes as he goes along. That alone would make it worth your time, for it's one of the few innovations that could make such a clichéd storyline worth reading again. But Disch writes with an eye to, well, just about everything. We often love writers for doing one thing exceptionally well; Stephen King's absolute mastery of characterization, Dorothy Dunnett's intricate plotting, James Michener's meticulous research. Disch has taken all of the ways in which a writer can specialize and balanced them. It all works here, and it all works exceptionally. My only problem with the book is something that couldn't have been foreseen in 1991; he sets the fourth part of the book in 1999, and as usual with such things, what it looks like on paper and what it actually looked like are such different things that I can't help laughing at it. Also, as you might expect from some of my comments above, Disch tends towards fairy tale-style language here. Most of the time it's not at all intrusive, and it lends the book an interesting, amusing tone for being the drama/medical thriller novel that it is. Once we get into the fourth section, though, and head into the world of fantasy/sci-fi, the mix falls flat. Perhaps I've been spoiled by the recent steampunk and mythpunk books that have done it so perfectly, but that part of the book doesn't work as well as the first three. Still, the obscurity into which this book has fallen is a crime. Not surprising, given that Disch is not the literary rockstar he deserves to be, but saddening anyway. Find a copy and discover, or rediscover, the wonderful world of Tom Disch. *** ½

3 of 3 people found the following review helpful.
a good beginning, but didn't quite finish it right
By adead_poet@hotmail.com
The first four parts of this book were superbly done. I mean, Disch did an excellent job telling this story, but then the fifth part came. It was a major letdown. Disch couldn't "close the deal." Maybe if he had started the story off in this future he had created, it would have been a better ending, though i think it would have been better if he had just kept on the same vein he was in. Disch was trying to go for a deeper shock value, a deeper sense of outrage and wrong, but his style in the final section of the book just didn't keep up with the rest of the story.

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Sabtu, 27 Juni 2015

## PDF Ebook Master Of The Senate: The Years of Lyndon Johnson, by Robert A. Caro

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Master Of The Senate: The Years of Lyndon Johnson, by Robert A. Caro

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Master Of The Senate: The Years of Lyndon Johnson, by Robert A. Caro

The most riveting political biography of our time, Robert A. Caro’s life of Lyndon B. Johnson, continues. Master of the Senate takes Johnson’s story through one of its most remarkable periods: his twelve years, from 1949 through 1960, in the United States Senate. Once the most august and revered body in politics, by the time Johnson arrived the Senate had become a parody of itself and an obstacle that for decades had blocked desperately needed liberal legislation. Caro shows how Johnson’s brilliance, charm, and ruthlessness enabled him to become the youngest and most powerful Majority Leader in history and how he used his incomparable legislative genius--seducing both Northern liberals and Southern conservatives--to pass the first Civil Rights legislation since Reconstruction. Brilliantly weaving rich detail into a gripping narrative, Caro gives us both a galvanizing portrait of Johnson himself and a definitive and revelatory study of the workings of legislative power.

  • Sales Rank: #44764 in Books
  • Brand: Caro, Robert A.
  • Published on: 2003-04-25
  • Released on: 2003-04-25
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x 1.69" w x 6.06" l, 3.15 pounds
  • Binding: Paperback
  • 1232 pages

Amazon.com Review
Robert Caro's Master of the Senate examines in meticulous detail Lyndon Johnson's career in that body, from his arrival in 1950 (after 12 years in the House of Representatives) until his election as JFK's vice president in 1960. This, the third in a projected four-volume series, studies not only the pragmatic, ruthless, ambitious Johnson, who wielded influence with both consummate skill and "raw, elemental brutality," but also the Senate itself, which Caro describes (pre-1957) as a "cruel joke" and an "impregnable stronghold" against social change. The milestone of Johnson's Senate years was the 1957 Civil Rights Act, whose passage he single-handedly engineered. As important as the bill was--both in and of itself and as a precursor to wider-reaching civil rights legislation--it was only close to Johnson's Southern "anti-civil rights" heart as a means to his dream: the presidency. Caro writes that not only does power corrupt, it "reveals," and that's exactly what this massive, scrupulously researched book does. A model of social, psychological, and political insight, it is not just masterful; it is a masterpiece. --H. O'Billovich

From Publishers Weekly
As a genre, Senate biography tends not to excite. The Senate is a genteel establishment engaged in a legislative process that often appears arcane to outsiders. Nevertheless, there is something uniquely mesmerizing about the wily, combative Lyndon Johnson as portrayed by Caro. In this, the third installment of his projected four-volume life of Johnson (following The Path to Power and Means of Ascent), Caro traces the Texan's career from his days as a newly elected junior senator in 1949 up to his fight for the Democratic presidential nomination in 1960. In 1953, Johnson became the youngest minority leader in Senate history, and the following year, when the Democrats won control, the youngest majority leader. Throughout the book, Caro portrays an uncompromisingly ambitious man at the height of his political and rhetorical powers: a furtive, relentless operator who routinely played both sides of the street to his advantage in a range of disputes. "He would tell us [segregationists]," recalled Herman Talmadge, "I'm one of you, but I can help you more if I don't meet with you." At the same time, Johnson worked behind the scenes to cultivate NAACP leaders. Though it emerges here that he was perhaps not instinctively on the side of the angels in this or other controversies, the pragmatic Senator Johnson nevertheless understood the drift of history well, and invariably chose to swim with the tide, rather than against. The same would not be said later of the Johnson who dwelled so glumly in the White House, expanding a war that even he, eventually, came to loathe. But that is another volume: one that we shall await eagerly. Photos.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
More of Caro's monumental biography.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
An Institution and The Man Who Changed It
By Michael Griswold
In Master of the Senate book three of Robert Caro’s series on Lyndon Johnson, one is first struck by something that we rarely see in historical biography in that the institution of the United States Senate that Lyndon Johnson entered in 1949 is a character in itself. Caro spends roughly 100 pages of the 1034 talking about the procedures, customs and history that had transformed the Senate from the great hall of debate the Founding Fathers wanted into a progress inhibiting body where legislation goes to die because of its unique institutions.

Master of the Senate can intimidate on sheer size alone, but it really doesn’t feel like over a thousand pages as one gets lost in these intricately woven tales and personalities such as Richard Russell, the Leland Olds affair, Lyndon Johnson as institution wrangler, and the intrigue over the 1956 Presidential Nomination among others. Caro once again excels at going in depth in creating these larger than life characters and situations. One feels the rage of Estes Kefauver as he’s passed over for Foreign Relations or Richard Russell’s loneliness, for example.

Lyndon Johnson is of course still Lyndon Johnson. Readers who revel in Johnson’s backroom deal making and questionably immoral behavior will find plenty to sink their teeth into as anything that could help him gain more power is seized on and we see his political genius in the 1957-58 fight over getting a civil rights bill through the Senate. This volume presents a more complex portrait of Johnson as caught between ambition and perhaps genuine feelings for minorities that often leaves the reader unsure of the truth.

I don’t know that anyone’s opinion of Lyndon Johnson will change through Master of the Senate, but it does present more nuance than the utter contempt the first two volumes of the series inspired.

6 of 6 people found the following review helpful.
Take a deep breath and invest the time
By M. Strong
There is no way around it - this book requires a very real investment of time. But what a payoff! In addition to having a really thick book to put on your shelf to impress your friends, this is one of the greatest biographies over written.

Caro makes the point early in this masterpiece that power does something far more interesting than corrupt... power reveals. Caro is fascinated with power's ability to pull back the curtain on the true nature of an individual. In this case, Caro selects Lyndon Johnson as his subject and introduces the reader to the man revealed by power: he is fascinating.

The book starts with a short history of the purpose and design of the Senate, which would make a terrific book on its own. This background proves critical to understanding the magnitude of Johnson's accomplishments in the Senate. Once the Senate is properly introduced, Caro begins to tell the story of Johnson's journey through his years in the Senate. The story is told in great detail, but Caro's storytelling is so good and so relevant that it never wanders towards being tedious or dull. Instead, you get one fascinating story after another that introduces you to the different facets of Johnson's personality.

As the story unfolds, you come to know a man with morals, but a man who is always willing to subvert his morals unless they align with his personal ambition. Johnson's ambition and talent are both so great that they lead him to accomplish things in a few short years that had never been done before in 150 years of Senate life.

In the end, Johnson finds a cause on which his morals and ambition align and the Senator from Texas becomes the unlikely champion of Civil Rights, a cause that saw no new legislation successfully pass through the U.S. Senate for 83 years.

It's hard to explain how good this book is, how easy it is to read and yet how much you learn. Highly recommended for fans of biography, history and politics. Spectacular.

4 of 4 people found the following review helpful.
Kiss Up, Kick Down
By Kurt Harding
At long last, I have finished this monster tome. After reading the first two volumes of Robert Caro's fascinating series on LBJ, I was eager to delve into this one. And I did, painstakingly and at a snail's pace as other obligations limited my reading time to 15-20 pages per day. But it was time well spent.

In this volume, Robert Caro shows how Lyndon Johnson did not rest on his laurels after a hard-stolen election to the Senate brought him closer to his ultimate goal. As a freshman senator, he was just one in a hundred, at the bottom of the seniority heap. But he had long ago learned how to find where real power resided in any organization of which he was part and his people skills (read boot-licking and schmoozing) and determination soon brought him close to those who mattered in the Senate. Georgia Senator Richard Russell was the Democratic power in the Senate at this time, a man whose nod could make or break any legislation or the career of almost any Democratic Senator and so Johnson made sure to get next to him. And it didn't hurt that House Speaker Sam Rayburn was solidly behind him as well.

Bootlicking wasn't Johnson's only forte, however. Once he was in a position of some authority, he made sure he was prepared for any subject that came up and more prepared than those senior to him. His thorough study of the Senate and his preparation to face the issues of the day quickly made him the go-to guy among his colleagues and that only served to widen the scope of his authority.

Southern Senators, led by Russell, saw in Johnson a future chance at putting a Southerner in the White House, an honor that had been denied any Southern candidate since the Civil War. And so they sometimes were willing to give in some on some of their demands in order to give Johnson a boost and national exposure as a Southern moderate on civil rights issues. Johnson knew that the Southerners needed him as much as he needed them, and he took full advantage of his position to get closer to his ultimate goal.

Johnson's colleagues were agape at how he took the former thankless task of being Majority Leader and turned that position from a mere honorific into a position of real influence and prestige. It had been a political graveyard for others, but Johnson was determined to make it work for him. He nearly always did his homework and with his knowledge of the Senate rules and his gift for strategy, was able to accomplish things that others thought impossible. Johnson was not only a master of give and take, he was unforgiving to any who crossed him, both friend and foe alike.

Of course, Senators holding safe seats were free to defy and even fight Johnson, but as the Senate was probably more competitive then than it is today, Johnson could and did use his power to withhold crucial campaign help from recalcitrant Senators and was happy to see their defeat.

Caro thinks that LBJ's greatest accomplishment was to get a civil rights bill passed while he was Majority Leader, despite the fact that by the time it was passed it was watered down to a mere gesture. But that bill, in Johnson's crude way of phrasing, had broken the Senate's virginity on the matter of civil rights, so that in the future other civil rights bills could be pushed through more easily.

That triumph made him slightly more palatable to the liberal wing of the Democratic Party, and with the help and friendship of key liberals in the media, in labor and in politics, Johnson was able to burnish his growing reputation as a different kind of Southerner.

The portion of the book that follows the story of how Johnson got civil rights legislation passed over strong objections from both the Southern camp and the liberals (who felt the bill meaningless) is somewhat anti-climactic. There were no more Johnson accomplishments to match the drama of the civil rights battle, and Caro saves the story of Johnson's fight for both the Democratic presidential nomination and a third term in the Senate for an upcoming fourth volume on the LBJ saga. He does, however, show how Johnson schemed to hang on to Senate power after being elected as Vice-President. He seems a bit of a pitiful figure trying to maintain his old position when it is clear that both his old friends and his opponents want him to move on and to maintain the separation of power between the executive and legislative branches.

The recent Senate fight over John Bolton's nomination to be UN ambassador and the depiction of his style as kiss up, kick down

made me think that the phrase "Kiss Up, Kick Down" is the perfect way to describe LBJ's personal style. At the beginning of his career, he did a lot of kissing up. By the time he solidified his position as Majority Leader he gave full vent to his desire to kick down anyone or anything in his way.

The story of the rise of LBJ is fascinating indeed and Robert Caro tells it in an engaging and penetrating way. I heartily recommend Master of the Senate to anyone interested in the enigma that was LBJ, but I recommend that you read the first two volumes before reading this one so that you have a complete understanding of Johnson by the time you are through.

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Jumat, 26 Juni 2015

^ Download Ebook Medium Cool: The Movies of the 1960s, by Ethan Mordden

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Medium Cool: The Movies of the 1960s, by Ethan Mordden

  • Sales Rank: #1497570 in Books
  • Published on: 1990-09-19
  • Released on: 1990-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 301 pages

From Publishers Weekly
Alfred Hitchcock's Psycho (1960) intimated that there's no safe place--the murderously bizarre can crop up anywhere. John Schlesinger's Midnight Cowboy (1969) portrays an America where "television and radio beam messages at you like mind-control apparatus . . . and the social structures throb with manipulative schemes." Between these signposts was a decade of unruly, vibrantly realistic American filmmaking, explored by Mordden, New Yorker cultural critic-at-large, in these wonderfully perceptive essays which illuminate not only film but the 1960s and the present. Movies of the '60s challenged authority as corrupt and murderous ( Splendor in the Grass ) and/or questioned the fairness of our political system ( Advise and Consent ; The Manchurian Candidate ). The '60s' fascination with evil and violence motivated Richard Brooks's In Cold Blood and Stanley Kubrick's Dr. Strangelove, that most serious of comedies. Mordden's wide-angled critique fits foreign films, arty B-movies, Paul Newman, Bye Bye Birdie and even James Bond flicks into a montage of changing social consciousness. Photos.
Copyright 1990 Reed Business Information, Inc.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Engaging and infomative
By Jonathan S. Kemp
Ethan Mordden asserts that films of the sixties were unique, compelling, and more interesting than films of previous decades. The patterns of tidy morality, heroic characters, and inspirational, puritanical themes in films of the twenties, thirties, forties and fifties essentially broke down with the arrival of Hitchcock's Psycho in 1960. In the sixties, writers and directors stopped complying with restrictive artistic guidelines delineated by the studios and unleashed their pent up potential, creating movies that were challenging, rewarding, and-at times-highly sexual, violent and realistic. Movies of the sixties redefined what movies could forever be, drawing viewers into worlds that didn't hide reality.

To understand how unapologetic and revolutionary movies of the sixties were, Mordden first explains the cinema ethos of earlier years. He writes that movies of former times were clean-too clean-to the extent that creativity languished. Although great films like On the Waterfront, The Night of the Hunter, and Paths of Glory in fact did push the "artistic limits" of the times, Mordden disregards their impact, saying such films are anomalies, which makes them irrelevant when looking at of the whole decade. The blockbusters of the 1950s, he says, were tame, safe and rather boring. To him, the fifties didn't have much to offer; most of the themes, characters and plots were stale.

Directors knew how stale movies were. Studios knew it too. Movie profits in the fifties hit all time lows, and with the death of important Hollywood producers and moguls at the end of the decade, a revolution seemed likely. The revolution began in 1960 with Alfred Hitchcock's Psycho, a film that broke many Hollywood rules: the main actress, Janet Leigh, died in the first half hour; promiscuity and loveless sexuality bared themselves without trepidation; and the villain of the film, Mrs. Bates, was ruthless and violent.

The tone of the film was also different from what Hollywood was used to. Characters were understated and unattractive, and most of the movie was set in an ascetic hotel. The cinematography moved slowly and assuredly, setting a mood of literal terror and confusion that most people had never seen before. It was exciting. It was different. And audiences loved it. Movies had been too similar for too long, and people wanted to see something new. Psycho, Mordden says, marked the beginning of a new era in film. Its dark themes and focus on violence and evil were harbingers for what was to come.

As the sixties rolled on, movies attained a new level of artistic credibility, due in large part to the influence of European foreign films. 8 ½, Italian Federico Fellini's 1963 dreamlike masterpiece about an agitated director, galvanized American audiences. Fellini's film had his own style; he didn't rehash Hollywood themes and techniques of the thirties, forties or fifties. 8 ½'s plot was layered in fantasy and symbolism. It was confusing but potentially rewarding. People wanted to understand its subtleties and meaning, and it did well at the box office, proving there was major interest in films that defied conventions.

After Stanley Kubrick's Dr. Strangelove in 1964, movies continued to grow more radical. Arthur Penn's Bonnie and Clyde showed it was possible for the audience to actually root for two despicable criminals. Sam Peckinpah's The Wild Bunch was a different kind of western-profane, violent, and gory. And Dennis Hopper's Easy Rider introduced cocaine into the American lexicon. By the end of the sixties, Americans had seen movies that were inconceivable only ten years before.

Along with Easy Rider, The Wild Bunch and Bonnie and Clyde, Mordden references hundreds of other movies, but there are only several photos of the films and people Mordden writes about. Mordden's thesis is how movies of the sixties were radically different than movies of any decade before, and he spends page after page on plot summaries of each movie he references. He assumes the reader doesn't know much about sixties cinema, and he does an admirable job of filling us in on the most important films of the decade. But this is a book that inspires the reader to get excited about sixties cinema, and it would have helped if we could seen pictures of Stanley Kubrick or Federico Fellini and all the people that made the films so important. Summaries are essential, but a book about film-an entirely visual medium-also needs photos of film. Many books about sixties cinema include dozens of pictures that compliment the text well.

Moreover, Medium Cool doesn't include a bibliography, something which seems impossible given all the material it covers. This leads me to believe that his arguments are built upon source material, but then again, I'm not entirely sure; were he to include a bibliography, I would know.

While the lack of a bibliography casts doubt on Mordden's arguments, Medium Cool is still engaging, informative, and well-reasoned. Mordden meticulously and relentlessly describes the radical styles of sixties films that made them so different from anything seen before. His plot summaries for every film are informative and concise, supplying just enough background information before arguing his thesis. The sheer number of films he cites as being substantially different from fifties cinema makes his argument persuasive. However, without sources, his arguments seem groundless and partial at times, especially when he writes that fifties films were of little importance. Knowing his sources would make his persuasive arguments more persuasive; without them, his arguments seem well-reasoned but slightly dubious.

3 of 5 people found the following review helpful.
An illuminating book on a crucial film decade
By A Customer
Writer Ethan Mordden examines several controversial films of the 1960s -- a decade where the filmmaker boldly attacked subjects on screen that previously had been too shocking or taboo, but now were commercially viable; even acceptable. The book covers films such as Midnight Cowboy, The Wild Bunch, Psycho, The Graduate, The Manchurian Candidate, and Dr. Strangelove.

2 of 4 people found the following review helpful.
What a wonderful book.
By Go Bears!!
Came to this book through a review of PSYCHO (1960) by Walter Chaw over at the Film Freek Central website and am grateful to him for the mention because I adored this book. Ethan Mordden is a sensational writer and his criticism is as insightful and intelligent about the films and the period as anything I've read.

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