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! Get Free Ebook Matisse, Picasso, Miro--as I Knew Them, by Rosamond Bernier

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Matisse, Picasso, Miro--as I Knew Them, by Rosamond Bernier

Matisse, Picasso, Miro--as I Knew Them, by Rosamond Bernier



Matisse, Picasso, Miro--as I Knew Them, by Rosamond Bernier

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Matisse, Picasso, Miro--as I Knew Them, by Rosamond Bernier

Rosamond Bernier went to France in 1946 as "Vogue" features editor and stayed there for the next two decades, during which time she formed close and enduring friendships with many of the greatest painters of the 20th century, most particularly Matisse, Picasso and Miro. Reluctant though they were to reveal themselves to outsiders, Ms Bernier had their trust to a remarkable extent and each of them talked to her, as to few others, for hours at a time. From these conversations she gleaned not only a fund of personal and moving reminiscences, but also an understanding of the artists' work, lives and milieu. In this book, Ms Bernier captures the substance of these conversations, interweaving anecdote, description of each man's artistic concerns and photographs. She writes of her exploration of Barcelona with Miro as her guide, and her visit to Matisse when he explained to her, page by page, his illustrations of Mallarme's "Poesies", as well as numerous other memories.

  • Sales Rank: #1391360 in Books
  • Published on: 1991-10-12
  • Released on: 1991-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 9.25" w x 1.00" l,
  • Binding: Hardcover
  • 278 pages

From Publishers Weekly
Bernier, an American, arrived in Paris in 1947 and spent more than 20 years there. Founder of the art journal L'OEil , which she edited until 1969, she was a friend and associate of many famous artists, including the trio profiled in this snazzily illustrated book, replete with 350 reproductions and photographs (200 in color), and based on her lectures at New York's Metropolitan Museum of Art. In southern France she met Matisse, "a benign figure of Edwardian elegance," a world traveler who "made everywhere work for him," whether he was in Morocco, Tahiti, Saint Tropez or Spain. She limns Picasso as a man of multiple selves, "Prince Charming and Jack the Ripper" all in one. In Barcelona she befriended Miro, seen here as a dark surrealist visionary "eaten alive by his visions," rather than the purveyor of gentle whimsy beloved of the public. Bernier's enchanting reminiscences are rich in anecdote and insight. 40,000 first printing; BOMC selection; author tour.
Copyright 1991 Reed Business Information, Inc.

From Library Journal
Bernier's reminiscences of her friendship with three of this century's most revered artists provides insight into their work and entertaining stories of their character. In a breezy tone that makes reading a pleasure, she reveals Picasso's love of disguises (he painted himself in various costumes and was fascinated by a ten-gallon hat given him by Gary Cooper); Matisse's incessant cursing while he worked and his painstaking planning of the Venice Chapel; and Miro's visit with the Calders to a dance hall in Harlem. The book is based on a series of successful museum lectures seen recently on PBS. Only an uncorrected proof was available for review, but the final production promises 350 illustrations, including personal photographs, with 200 in full color. This BOMC selection should prove quite popular, appealing especially to general readers. Recommended for special as well as public collections.
- Ellen Bates, New York
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Bernier's first book is a reshaping of her slide and lecture series often given at the Metropolitan Museum of Art and elsewhere. The author, wife of art critic John Russell and founding editor of L'OEil, writes splendidly of her three artists on a personal level and covers a lot of ground artistically without ever getting in very deep or stopping for a rich examination of the works at hand. She always charms, however, especially when revealing lost treasures that she discovered firsthand. (The book's 350 illustrations, including 200 color, seen largely in b&w photocopy, give every indication of being knockouts.) Despite moments of evident warmth the artists showed her, Bernier's day-to- day reminiscences of her three heroes reinforce what we already know of them, and at times bring these men popping off the page with a line or two of dialogue without offering fresh insight into their work. Her stories cover the first 20 years in France following WW II, when her magazine was at its peak (it changed hands in 1969) and when, through her ``genius for friendship'' (as her husband puts it), she was gathering fresh material for L'OEil. Perhaps her biggest strike was a big cache of Picasso works the painter had left with his family in Barcelona 50 years earlier and that he directed her tomany were black with grime but when cleaned revealed the teenage artist's astounding facility as a realist. Bernier's most captivating passage about Matisse concerns the bedridden artist's slowly evolving plans and inspiration for the Chapelle de Sainte-Marie-du-Rosaire at Vence and the sudden impetus to his work that thoughts of stained-glass windows in strong sunlight gave him. Mir¢ tells her about his painting of The Farm, which turned out to be too big for any dealer to sell; the young Hemingway bought it ``for pennies, but he liked it a lot.'' A moveable feast. Clear off the coffee table. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A MUST-BUY BOOK
By Lorna Francis
ANY book by Rosamond Bernier is a valuable addition to one's Art History Library, but especially this one on Matisse and Picasso. The "used" copy
I got was brand, spankin' new, and so cheap that I ordered another one,
and will give a copy to the local library. I may order more for holiday
giving; the price is ridiculous, the reproductions gorgeous, and the
writing, as always very personal, witty, and fabulous. i.e.: The taxi cab
driver taking her to Matisse for a first interview, said that he knew
where Matisse lived but he did not. They were an HOUR LATE and Matisse felt very furious.
He complained that he had yet to to paid for a previous magazine article
in VOGUE. She took out her new fountain pen and began to write a check
immediately, noticing that Matisse was staring intently at the instrument.
She noticed his fascination and handed the pen to him to further examine.
She then gave it to him as a gift. The interview went very well from
that moment on.

1 of 1 people found the following review helpful.
Art experience in a book
By Kathleen DesHotel
The book is tremendously interesting, written from the perspective of a woman who met the artists. Even the foreword by her husband is profound. It's hard to believe that someone gave up this book. But, I am happy it came my way.

0 of 0 people found the following review helpful.
Five Stars
By Gwendolyn
wonderful book...very interesting, humourous. what a life she had...

See all 3 customer reviews...

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