Download PDF The New Rolling Stone Record Guide, by Rolling Stone Press
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The New Rolling Stone Record Guide, by Rolling Stone Press
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The New Rolling Stone Record Guide. Edited by Dave Marsh and John Swenson. 1983. Stated First Edition. Random House. Paperback. 'Revised,updated and more compete than ever, tis indispensable book reviews and rates over 12,000 rock, pop, soul, country,blues, folk and gospel albums.'
- Sales Rank: #1233386 in Books
- Published on: 1983-10-12
- Released on: 1983-10-12
- Original language: English
- Number of items: 1
- Binding: Paperback
- 648 pages
Most helpful customer reviews
4 of 4 people found the following review helpful.
A very good, almost indispensible (but flawed) music guide.
By A Customer
I used to have this book and it got lost somewhere along the way. Although I vehemently disagreed with many of the reviews, I found it an indispensible source of information on both known and little known singers and groups, which helped me make many wise purchases. It is long out-of print and I hope somebody will be able to come up with a copy in reasonably good condition. I am keeping it on my wish lists at several sites until then. I have the newest edition (Rolling Stone Album Guide, 1992), and it covers many new groups and singers, more types of music and speaks in a more unified voice, because it was written by only four critics this time, instead of over fifty. However, I was disappointed to see how many important groups and singers from the previous edition (1983) were not even mentioned, even in passing, just omitted entirely. Although the 1992 edition is more up-to-date, I prefer this one. At least it has an honorable mentions page for those singers and groups it was not seen fit to write a full review about. On the other hand, I was pleased to see some more negative opinions of some of the artists still reviewed in the 1992 edition had been revised more favorably. Time and thought are not always so unkind, just sometimes. I agree with the reader whose review stated Dave Marsh's lack of input into the 1992 edition greatly hindered it. However, I feel both the 1983 and 1992 editions are well worth having and may possibly review the 1992 edition separately. However, I still have several major caveats with both editions. Most of the critics are rather narrow- minded and do not like anything too arty, spacy, avant-garde, or experimental. I also find it unfortunate that they find way too many artists too commercial, formulaic, untalented, or without other merits. If they were only more open-minded and progressive, but then they wouldn't be critics,would they? They just overanalyze everything too much. Too much training can be a bad thing and take away a lot of your spontaneity and ability to just sit sit back, relax and enjoy things like music and art. I promise if I review the 1992 edition of this book separately, my review will be considerably shorter and will probably refer back to this one. I just felt the need to compare the 1983 and 1992 editions and get some other feelings about critics (a necessary evil) off my chest. I'm sure many of you readers would agree with quite a few of my points. If not, well of course it's a free country and everyone is entitled to their opinion, agreeable or not, just as long as they can express it without getting too obnoxious.
6 of 6 people found the following review helpful.
good, reasonably comprehensive guide to popular music
By A Customer
This is a great book to rummage through used record bins, help build
a good record collection. It's best used to introduce you to new artists. Even
if you don't agree with their general evaluation of an artist, most readers find the
relative ranking of albums within the artist is reasonable. Some problems though: the jazz and blues
section is very poor is coverage (hence the other book that followed this) and they typically
pan any progressive music and love anyone once associated with their magazine (check out reviews of
Yoko Ono and Patti Smith, ughh!). Biggest problem is inconsistent ratings across editions. For example,
there is not one Doors album with the same rating across all three editions. Evaluating music is rather subjective
but when the rater can't even decide what the value is, well there's little point is there?
8 of 13 people found the following review helpful.
An important job badly botched
By Todd M. Pence
One is tempted to give this book the "bullet" so liberally employed by the contributors, since The New Rolling Stone Record Guide is useful only as a discography (and even at that it is spotty). The reviews are dominated by the overwhelming egotism and elitism of authors Marsh and Swenson, and are for the most part grossly out of touch with the general audience the work is supposed to be aimed at. This does stand as a good example of why Rolling Stone has to be considered with MTV as one of the two institutions that helped kill off good music. Dave Marsh is to rock and roll what Howard Cosell was to sports, only even more obnoxious and less perceptive. He is biased against many genres (particularly progressive); and even on those occasions when he does see fit to try honest analysis instead of a witty critical barb, seems incapable of offering any geniune insight into the music: His and Swenson's writing is every bit as pretentious as they frequently accuse various artists of being. The Rolling Stone Encyclopedia of Rock and Roll published at about the same time is a much better and informative reference work.
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