PDF Download Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain (Vintage), by Marcel Proust
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Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain (Vintage), by Marcel Proust
PDF Download Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain (Vintage), by Marcel Proust
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Including THE GUERMANTES WAY and CITIES OF THE PLAIN.
- Sales Rank: #95124 in Books
- Published on: 1982-08-27
- Released on: 1982-08-27
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x 1.68" w x 5.13" l, 2.40 pounds
- Binding: Paperback
- 1216 pages
Amazon.com Review
Before his death in 1922, Marcel Proust accomplished the monumental feat of recording Remembrance of Things Past, a fifteen-volume literary history, much of which was based upon his own adventures and minute observations. The Guermantes Way is an installation in this collection and recounts, among other things, his childhood in Combray and the relevance of grasping the importance of particular events and people from his past in his development as a writer. Although autobiographical, Proust employs suspense and the observation of minutiae to illustrate our own subjective existence.
Review
To read [Proust] thoroughly constitutes a mental discipline, more humane surely, but equal in rigor to Euclid. That is why, in spite of the piquant nature of much of his material, Proust will never be a widely popular writer. -- The New York Times Book Review, Rose Lee
From the Inside Flap
Including THE GUERMANTES WAY and CITIES OF THE PLAIN.
Most helpful customer reviews
0 of 0 people found the following review helpful.
It is a wonderful way to visit the world before technology and enjoy ...
By Happy Camper
This is a book to savor. Take time and smell the scent of France. It is a wonderful way to visit the world before technology and enjoy how people really enjoyed and interacted with others-their dress, mannerisms and habits. Turn off the T.V. and enjoy a book that is subtle and written without malice. p.s. You should probably start with Volume I.
5 of 5 people found the following review helpful.
An no holds barred examination of the aching hardship behind the decision to hang out at a ritzy party or relax on the seaside
By Michael Battaglia
As disconcerting as it can be to painstakingly grind one's way through a thousand pages of an extraordinarily dense novel and realize that you're only a third of the way through it, it actually does get easier once you pass that first volume (admittedly quite the hurdle) and move into the second volume. A combination of me slowly getting used to Proust's knotted sentence structures (seriously, they're not just like a snake attempting to eat themselves but like a snake going back in time to eat itself and its parents simultaneously) and the author dialing back on the diction ever so slightly leads to some level of comfort with the whole affair and the experience becomes a bit more immersive. Familiarity does help, as while he seems to have more characters introduced than I have friends on social media, a lot of characters make repeat appearances from the earlier volume and in fact find themselves deepened and brought into sharper focus as a result. The themes of time and memory remain much the same but with the definite sense of passing time it adds more poignancy to the proceedings, as if starts to seem as if telling the tale brings about its own costs. Instead of reading about the narrator going on and on about whatever sentimental philosophy that occurred to him at a particular time, there's a weight to it now, a grasping sense of trying to recapture something before it fades away entirely or slips through his fingers. The writing could hardly be called "feverish" but in some moments there's a hint of desperation, as if by not getting this down correctly he risk not only losing a vital part of himself, but of family and friends that are long gone already and drifting into oblivion even further by the second.
Still, it definitely takes some getting used to, even for veterans of the first volume. The narrator remains somewhat self-involved, going on and on at length about things that don't seem that consequentially proportional even to people who might have attached some importance to them (a lot of it centers around his grandmother). His focus on the little details of life as what makes our memories important has quite a bit of resonance (how many of us remember a departed family member fondly by recalling a particular quirk or habit?) but sometimes after ten pages of musing on such a topic you want to tell the fellow, enough already, we get it. For a good portion of both sections in this volume he seems to spend almost his entire time going from one party to another where the rich and the nobility mingle and say snarky things to each other while he stands around and records it all. Characters float in and out of the mix, sometimes people get on a train or a carriage and go to a different party where much the same things happen as at the party before and if you try to capture all the details in your head to keep it straight it's probably futile. If you read it purely for the sense of immersion then your subconscious seems to pick up on the minor details and eventually you start to get a feel for the material. This does run the risk of interpreting the book as a blurry parade of snooty people who think they're very witty and in some respect that's not far off the mark.
The parties seem to act as interstitial material for the sections that really connect. In "The Guermantes Way" it's those sections that deal with the narrator's friend Robert and his mistress and most of all the sequence that deals with the fading out and eventual demise of the narrator's grandmother. For once all the verbiage seems to be attuned to the right frequency and as he alternates between a rather sober description of someone dying by degrees with musings about the import of it all and his attempts to keep her fresh in his memory (which becomes a strand that colors the rest of the second volume) the book starts to take on an emotional rigor that it lacked a little bit before and from there it becomes a way into the world of the novel. Suddenly the characters start to make sense as people and it all starts to loosen up a bit, with the lightness and humor beginning to be contrasted nicely with the rather more serious concerns the book has. The first big change to the narrator's life beyond moving from one place to another starts to give the book some forward motion where before it floated in a haze of really specific memory. Time starts to blend and skip along and it becomes easier to follow the thread of the nested narrative flashbacks, as one memory sparks another and he just decides to follow to wherever it leads. The cumulative weight of all the text starts to have an effect, as in a scene where Swann shows up out of nowhere and he's noticeably older, you can definitely feel the passage of time (a scene featuring him at the very end winds up being almost unbearably poignant). And even when you don't share his fascinations about why the Guermantes family is just so darn awesome (they seem all right), his probing vigor helps to drive the narrative along. You may question his obsession with following Mme de Guermantes around all the time but at least she seems annoyed by it, which is an understandable reaction. The narrator's a pretty weird guy, in all honesty. One who never seems to work, either.
One thing that will probably help people attempting to get into this volume and the series as a whole is to read up on the Dreyfuss affair, even if it's just a brief summary of the particulars. A political scandal of the day that divided the thinking folk of the country much the way that we get so heated over who is going to win "American Idol", many of the conversations in this volume center around whether someone is pro- or anti-Dreyfuss, to the point where it impacts a lot of the relationships between the characters. The really short version is that Dreyfuss was framed by a military that needed to convict someone, who then compounded their goof once they realized it by doubling down and manufacturing evidence to make sure he was guilty. As a study in a series of boneheaded decisions it's fascinating, but to most people it's going to come across as a rather big and unnecessary mess. However it did get the French of the day all fired up and familiarizing yourself, while not essential (I made it most of the way through before getting a chance to read over the details), will go a long way toward giving some scenes a bit of extra context, mostly because everyone brings it up a lot.
"Cities of the Plain" winds up being probably the best volume so far, even if oftentimes people do things that don't make a whole lot of sense. If you have to summarize it in the style of the episode titling of a famous American TV show, it would be probably described as "The One Where Everyone is Gay". The wonderfully abrasive M de Charlus takes more prominence in the narrative (after a few memorable encounters in the previous volume) and when the narrator witnesses an encounter between him and another fellow that might involve some hanky-panky, his mind appears to be blown and the narration focuses for more time than seems reasonable on homosexuality, like he's just discovered something that no one has ever imagined before. But it winds up being a near obsession that takes us through the rest of the novel, as now Charlus' fairly open homosexuality seems unimaginably obvious to the narrator (and us) and leads to a lot of reflections on what it means to live almost secretly in society while not really hiding anything. It adds an extra edge to the proceedings, especially when the narrator seems to go over the edge slow motion and begins to suspect that literally every girl he knows outside his mother is a lesbian. In the manner of a middle school student discovering a textbook on anatomy and giggling over the naked pictures, he starts to see loves that dare not speak their name everywhere as girls just wanna have fun everywhere together without him.
It would be amusing if not for his growing suspicion that girlfriend Albertine is a lesbian as well, the best evidence of which is that she has friends who aren't him. The romance between the two of them is a large factor in this volume and livens up the scenes that aren't at endless parties, even as you can't figure out why the heck she is even with him since he seems horribly self-obsessed and mostly just orders her around all the time, afraid that if she has any free time she'll go start doing it with ladies. But everything is much sharper here, with even the parties taking on a more interesting cast despite Proust wanting to use characters to show off his research into things like the names of places. The sequences where the narrative basically stops so he can muse on memory and love and sleep become a beautiful thing in their own right, possessing a power that stands outside all the high society hijinks but are informed by them as well, each needing the other to hang together as a whole. It makes for a vivid experience and you find yourself taking delight in how both mean and needy Charlus is, how utterly pedantic some of the partygoers are, how Albertine seems to have an awful lot of patience. It all pays off in a rather baffling decision on the part of the narrator that somehow makes perfect sense in that way we tend to do things that feel completely emotional rational but in hindsight aren't too bright. It's memory manifesting as physical space, dig in so deeply that you can see the delicate claw marks as the narrator goes as far down as he can and finds that it isn't enough. On one level, yes, it's rich people a hundred years ago at parties barely disguising their disgust with each other, but on a whole other level it's an effort to grasp what you can feel yourself losing every day, a drain with such a palpable pull that the fight to pull it all back in such detail should leave a person gasping and spent. The fact that he's able to relay it all back from the edge is what makes it such a remarkable feat.
9 of 9 people found the following review helpful.
Continuing down the road.
By frumiousb
Volume I of this Vintage series was a little bit overwhelming as a reading experience. Proust is dense, difficult and the diction takes quite a bit of getting used to. It was a relief for me that the reading experience got much easier by the time that I reached this volume. Nothing is going to leaven Remembrance or make it less dense, but if you make it as far as The Guermantes Way then you are bound to have come to some peace with the language.
The Guermantes Way and Cities of the Plain are full of both broad humor and deep sorrow. The treatment of the death of the Grandmother, particularly the way that she slowly retreats in dreams, is one of the most real and affecting sequences of its kind that I can remember in fiction. On the other hand, the comedy of manners at the society parties plays out like a kind of Belle Epoque Sex & the City. Proust skewers the foibles and fables of the relationships of the rich, and often left me chuckling to myself as I read.
The farther I go, the more I find these books to be one of the most memorable reading experiences of my life. Nothing in these books makes me lessen the recommendation that I read after reading Volume I. In fact, I find that my admiration is only increasing as I read.
If you can, try tackling Volume II as quickly as possible after finishing Volume I. It really helps a lot to treat Remembrance as a single book, rather than a series. It also avoids time re-learning the feeling of the Proust prose.
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