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Little Saint, by Hannah Green
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This is a book written in ecstasy.
In the early 1970s, the writer Hannah Green and her husband, Jack Wesley, an artist, came upon a village called Conques, curled like a conch shell in the mountains of south-central France. Entranced, they returned the next year, and the next, living there for months at a time, for more than twenty years. Hannah Green was attracted to the craggy landscape, the ancient language, the traditions of the region. Most of all, she felt herself drawn to the story of the little saint whose spirit fills the lives in that place.
In the fourth century, a girl--who becomes this book's "shining center"--had refused the demand of a Roman ruler to deny her faith; she was betrayed by her father and then beheaded. She was twelve years old.
Sainte Foy's remains came to be the "golden spark" that inspired a cult and inspired this American writer, a Protestant and a "stranger to saints," to devote the rest of her life to writing one book. To do so, Hannah Green had to improve her French to the point where she could translate original documents. She and her husband were soon accepted by the villagers--indeed, were loved by them. In time, Hannah began to sense that she was part of a centuries-long parade of pilgrims who came to Conques and were transformed.
Ostensibly the story of one day, the twenty-four hours described here have twenty centuries woven through them. The result is a rare work, in part history, biography, celebration, meditation, inspiration. It is an ode to joy, death, the earthy, and the spiritual. The prose spirals like a shell, poetic or plainsong. It is good-humored, yet it is also the memoir of intensely felt, almost painfully loving personal experience.
Written in a kind of rapture, Little Saint tells the story of a living presence, of her travels in time; of holy and healing places and characters; of fields of force and unexplained emanations; and of a saintly girl who makes jokes. It is a story as well of one woman, deeply American, who found in France while on holiday a place and a person for all time.
- Sales Rank: #1097076 in Books
- Published on: 2000-07-18
- Released on: 2000-07-18
- Original language: English
- Number of items: 1
- Dimensions: 1.08" h x 6.78" w x 9.59" l,
- Binding: Hardcover
- 304 pages
Amazon.com Review
As evidenced by her successful novel The Dead of the House, Hannah Green possessed an acute awareness of early adolescence, the time in life we call coming of age. It's no surprise that Green became entranced and eventually dedicated to a 12-year-old girl, who was known as Saint Foy. Betrayed by her father in 303 A.D., the French girl called Faith was tortured and beheaded for her refusal to worship the pagan goddess Diana and renounce her devotion to Christ.
Green narrates in the first person, recounting her reaction and fascination when she first traveled to Conques, France, and saw the golden statue of Saint Foy (with the girl's bones embedded in the statue's heart). Although pilgrims from all centuries and all parts of the world have paid homage to Saint Foy's statue, Green had not anticipated the deep visceral reaction she would have when she first beheld the little saint. "It is a shrine," she writes. "And in some mystic way it suggests to the mind's eye more strongly than any imagined likeness could the presence of Saint Foy herself as she was, with her young fresh skin and the radiance, the life, in her face, the light, and as she is: bone and spirit come to God."
This is a three-layered, masterful piece in which Green offers a biography of this young saint and the influence she's had over the centuries, a profile of the highly unique village that hosts her statue, and finally a memoir of Green's own spiritual epiphanies born from this saintly encounter. --Gail Hudson
From Publishers Weekly
A form of perfectionistic paralysis seems to have gripped Green, author of the critically acclaimed 1972 novel The Dead of the House, who spent more than a quarter-century writing this evocative account of her romance with a French village and its martyr-saint. Like the masonry and artwork of the antique Proven al chapels Green describes, her words bear the imprint of long, loving attention to detail. In the 1970s, Green became entranced by Conques, a hamlet in the south of France, and its shrine dedicated to Foy, a 4th-century Christian girl martyred for refusal to sacrifice to a pagan deity. Foy's relics, encased in a golden and jewel-encrusted statue, made Conques a medieval pilgrimage center. Green explains, with stunning sensitivity for a modern writer, what devotees felt when they stood in the saint's presenceDa mixture of awe and intimacy that exerts power still. Green also captures the rhythms of life in a French village. By the end readers feel they know her neighbors, can taste the village's special foods, and can see the churches and sacred stones Green contemplates. One can quibble with certain aspects of the bookDthe descriptions of flora and fauna become tedious, and Green idealizes peasants as only "big city" writers are capable of doing. Yet Little Saint rises as close to perfection as hagiographic literature ever has. The author, who has passed away since completing the book, should rest easy. (July)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Green, who wrote for The New Yorker and authored a single novel, the celebrated The Dead of the House, first visited Conques, France, with her painter husband in 1975. Over the next 20 years, they returned frequently to live for months at a time. (Green passed away in 1996.) Green identifies herself as of "Swedenborgian and Episcopalian background, a stranger to saints," yet this "ancient place of pilgrimage" gave her "the gift of seeing into that zone which has been held sacred since the beginning of human consciousness." Conques was the site of the fourth-century martyrdom of a 12-year-old noble girl, later known as Sainte Foy. Green's memoirs are set mostly in "the continuous present of a June day" in 1979. Her encounters with villagers and with the presence of this saint, who still dominates the village, may be read as an interesting travelog or as a spiritual encounter. This beautifully written book reflects wide-eyed wonder at the ordinary life of a village, where past and present miracles are accepted as simple reality, ancient martyrdom and memories of Nazi horrors penetrate the present, and time seems to merge with eternity. Recommended for larger public libraries.
-DCarolyn M. Craft., Longwood Coll., Farmville, VA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Sainte Foy, the Little Saint
By Martha Graham
Well - - - this was a little difficult to get through. However, if you have any religous fervor in the slightest, go for it. Also, if you have any knowledge of Conques or the Aveyron region of France, this is for you. She details a lot about this area and you can easily feel yourself in that world. Sometimes I felt as though I were back there. Personally though, I liked her "The Dead of the House" better, but it was completely different.
5 of 12 people found the following review helpful.
"A Year in Provence" with religious spice
By J. Marren
This book is first an account of a religious awakening, which occurs when the author, interested in this little traveled part of France and its patron saint, experiences something mystical and mysterious. As a basically non-religious person, however, I found her description quite opaque. (The author also has the annoying habit of writing very, very long sentences.) I thought this book worked a lot better as one of the "Year in Provence/Bella Tuscany" genre--particularly because it is focused much more on the people and culture, and not on a home improvement project. The author's own nationality and culture are very much in the background, and there is not an ounce of condescension in her descriptions. Interestingly, this book was published posthumously: the author died in 1996, and I have a sense that the book, which is set in the late 1970's, may have been written much earlier than others in its more well-known travel genre category. For a much more accessible, beautifully written account of religious experience and community, try a slim, simple novella called "Lying Awake" by Salzman.
5 of 8 people found the following review helpful.
No narrative momentum.
By A Customer
If you already have an intense interest in St. Foy, or in the Aveyron region of France, you will enjoy this book. It contains some beautifully written passages and warm, honest sentiment.
It also contains a lot of minutely detailed descriptions of places, people, encounters, artistic impressions, religious experiences, scholarly and historical research, cultural observations... What it does not contain is any narrative momentum. All the lovely writing is strung together without any context. Who is this woman who went to all the trouble to document her experiences in Conques over the years? The reader is left with very little idea. After a while, you'll just want it to stop.
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