Free PDF The Making of the African Queen: Or How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind, by Katharine Hepburn
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The Making of the African Queen: Or How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind, by Katharine Hepburn
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The Making of the African Queen: Or How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind
- Sales Rank: #227012 in Books
- Brand: Alfred A. Knopf
- Published on: 1987-08-12
- Released on: 1987-08-12
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 129 pages
- Great product!
From School Library Journal
YA Young adults who have seen Katharine Hepburn in the film classic will enjoy her pungent recollection. Hepburn's characteristically elliptical, abrupt style enlivens memories of John Huston, Humphrey Bogart, and ``Bet ty'' Bacall as well as the calamities and joys of making a film in the African jun gle. The photosof the Queen plus launch-with-cameras, the camp of mud floors and thatched huts, the dressing room (a mirror propped against a tree)are profuse and captioned with more of the Hepburn dry wit and in sight. Read for the author, the subject, the photos, or all three; this one is a gem. Sally Bates, Houston Pub . Lib .
Copyright 1988 Reed Business Information, Inc.
Most helpful customer reviews
52 of 54 people found the following review helpful.
Easy to like Story of the Making of a Classic Movie
By Ein Kunde
The title leaves no question as to what this book is about. "The Making of the African Queen: Or How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind"--that really sets the tone of this book, wherein Hepburn gives an account of the making of a Hollywood movie, and tells of her experience in Africa (where most of the movie was filmed). This, her first book, is a very relaxed, informal affair, more like a friendly conversation really, as if you had met Hepburn and told her you were interested in Africa, and she started, "Oh I was in Africa once..." It's Hollywood in Africa, 1951. Some of what she writes is now a kind of history: where else might you learn that airplanes once had sleeping-berths like Pullman railway cars. Of course, mostly there is movie-making: working with director John Huston, and co-stars Humphrey Bogart and Robert Morley; how the cast and crew managed their equipment and wardrobes on location; the boat itself and the Ruiki river; living conditions in the temporary camp (including some very practical advice concerning improvised toilet facilities), colonial-era hotels and travel, and so on. The hardcover edition is illustrated with dozens of photographs. An interesting and charming book for anyone with an interest in Africa, classic Hollywood movies, or Hepburn, Huston, or Bogart.
Peter Viertel, who worked with Huston on "The African Queen" also wrote a book about the experience titled "White Hunter, Black Heart" which Clint Eastwood made into a movie.
50 of 50 people found the following review helpful.
great survival tale
By Daphne de Boer
This is one those books that is really autobiographic - it seems no one has altered or interfered with anything. If you have seen many movies with Katharine Hepburn, you can actually hear her tell the tale of how she survived the African jungle and actually loved it.
She is the first one to say that she is a bit of a pain in the neck, bossy and interfering. And always worried about the details. And she freely admits that when there is no bathroom, she's gotta go.
She lively discribes how the cities look, how it feels to be in the jungle. Explaining that taking a shower there is like angels touching your body. And that there is nothing worse than having to go to the bathroom (in somewhat of a rush...) and finding a black mamba snake there. She was so shocked she had to throw up. And the throwing up keeps up until after they come back in England.
What struck me as most odd was that she doesn't hold back. She told off Huston often, refused to help Lauren Bacall with the food, carried the mirror around and often thought what the hell she was doing there. But it was fascinating. Reading about it is fascinating, you want to go there yourself and look what it is like in real-life (instead I watched The African Queen for the 164th time).
The photographs in the book are really worth looking at - they give you a feeling of actually being there. Seeing Kate washing her hair with her 'house-boy' standing by, the costumes close-up, the little comments next to the pictures, one of 'Bogie Allnut' - Bogie laughing out loud wearing his costume and of 'Rosie Hepburn' - Kate sitting on the railing, wearing slacks, holding Rosie's English umbrella...
It really shows that Katharine Hepburn had many talents - she is certainly able to write an extraordinary tale of adventure, making movies, making fast friends, overcoming problems (the sinking of The African Queen, giant antz, losing twenty pounds by drinking water, almost being killed by a wild boar) and loving it all.
7 of 8 people found the following review helpful.
a short and pleasant read
By ShamayimBlue
Hepburn didn't set out to win any literary prizes with this book. The Making of the African Queen is an informal work, without any tight structure or organization; at times it can get pretty thin. She meanders along from one reminiscence to another and dwells on whatever memories catch her fancy or amuse her. It's as if she were sitting opposite you talking, rambling along with little smiles and devilish laughs.
She jumps along from topic to topic chronologically, starting from the offer she received for the part of Rose and ending with her recollection of Bogart's Oscar win. Some of the content she touches on is expected - observations of Bogart and Bacall, the mercurial Huston, and the rigors of filming in Africa. But then there are other anecdotes you don't expect, such as her bathroom-related anxieties (she was a urologist's daughter), her musings on different kinds of water (I loved those descriptions and that she would notice things like that), and her various peculiarities of taste, like her delight in finding out that her cabin would overlook all the others in the base camp in Africa.
What I liked best about the book is that I got a sense of Hepburn from how she wrote and what she chose to write about. She likes to take on a dry, amused tone; she does not spread gossip about her colleagues or supply salacious details, though she does make general observations of their characters. At one point, she writes a wickedly clever description of Bogie and Bacall having a spat, something along the lines of "two cats locked deliciously in the same cage". She is largely generous in her praise of the people she worked with, and is fond of them all, though she doesn't conceal those moments when she felt exasperated with them (Huston gets up her nose more than a few times). There are times when she's aloof and remote, preferring solitude, and overall she gives the impression of someone who won't suffer company merely for the sake of having company, but likes to go out on her own exploring or simply thinking; at other times, however, she enjoys lengthy conversations, particularly with Huston. She's aware of her foibles and laughs at them; they don't seem to trouble her all that much.
Fans of Hepburn, Bogart, Bacall, and/or Huston would perhaps enjoy this little book; so might people who liked The African Queen or are interested generally in classic movies and stars. The book sports lovely photos of the cast, director, and shooting locales, and Hepburn is our link with that older era of movie-making and its wonderful characters.
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