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The Journals Of John Cheever, by John Cheever
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"Heartrending...Can be read as a writer's notebook, a family chronicle, a brutally honest autobiography, and almost as an unfinished novel...A daring contribution to American letters."--New York Times
- Sales Rank: #592839 in Books
- Published on: 1991-10-01
- Released on: 1991-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.75" w x 1.25" l,
- Binding: Hardcover
- 399 pages
From Publishers Weekly
From the late 1940s until a few days before his death of cancer in 1982, the eminent American short story writer and novelist ( The Wapshot Chronicle ) recorded daily encounters with family, friends and, most powerfully, with conflicting impulses in himself. Cheever's journal entries, as selected here by his editor and introduced by his older son, Benjamin, reveal a life bracketed by "galling loneliness" and rewarding engagement with others; by a highly libidinous nature and comfort found in the conventions of his upper-middle-class, church-going, suburban New York City existence; by shame over his bisexuality and alcoholism and by moments of soaring delight in his family and in the physical world. Occasional references are made to fellow writers, e.g., Saul Bellow, Irwin Shaw and Norman Mailer, whose work evoked both despair and inspiration, and to the genesis of his own stories, but Cheever's attention never moves far from his efforts "to recognize the power of as well as the force of lust, to write, to love." Dated only by year, the entries flow seamlessly through seasons, holidays and family occasions, identifying family members and public figures by name and lovers by initials. Cheever documents the steady and anguished deterioration of his relationship with his wife, Mary, who is his literary executor ("How large a continent this is," he observes of his marriage in 1968), his fierce love for and sometimes distance from his three children, his gradual acceptance of his desire for men, his triumph over drinking and, wrenchingly, his final days. Most explicitly, however, he records his attempts to integrate often-warring aspirations and appetites. On a bus in Rome in 1957, the touch of an unseen stranger--"I will never know if it was a man or a woman, a tart or a priest"--on his shoulder creates a near-overwhelming wish for tenderness: "This is not a violet-flavored sigh or a Chopinesque longing; it is a longing as coarse and real as the hair on my belly." Cheever's journals will likely prove as lasting a body of work as his fiction. BOMC alternate.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
As explained in the editor's note, the published volume contains selected portions of Cheever's extensive personal journals. Published with the cooperation and assistance of the author's family, it represents one-twentieth of the actual journals, which span a 35-year period. The journals served Cheever both as writer's notebook and memoir, clarifying much of his method of working. The inner life of a writer is revealed in these highly introspective memoirs. Cheever writes of his alcoholism and his bisexuality; his "war with the world"; his loneliness, alienation, depression, and carnal fantasies; his love for his family; his religion (Catholicism); his perception of the role of the writer in society; and his enjoyment of the rural life at his home in the Hudson valley, all with remarkable powers of description. A candid, beautiful, often startling portrait of a 20th-century American writer. Previewed in Prepub Alert, LJ 6/1/91.
- Lesley Jorbin, Cleveland State Univ. Lib.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
New Yorker editor Robert Gottlieb, in consultation with the Cheever family, here adds to the six excerpts from Cheever's journals that originally ran in the magazine. Drawn from 29 loose- leaf notebooks, spanning 35 or so years, this selection represents a mere fraction (1/20 in Gottlieb's estimate) of Cheever's random writings. Fortunately, readers of these remarkable journals are spared the prose interludes (by Cheever's son, Ben) that so marred the selection from his letters a few years ago. This is Cheever as unadorned and self-revealing as we'll getand it's not just more confessions of alcoholism and bisexuality. As Ben suggests in his introduction, these journals serve in lieu of an autobiographythey document the inner life of an artist in a way few works ever have. Cheever proves himself a man of profound tensions: at once drowning in loneliness and warmed by his love for his family, craven in his sexual desire and elevated by genuine piety. These contradictions run through his aesthetic concerns as well: While he has decided to insinuate himself ``like a spy'' into middle-class suburbia, he fears having taken his ``disguise too seriously.'' He delights in the mundane, and the journals glimmer with quotidian insight and observationthe beauty of nature, the joys of Westchester life. But these affirmations, many of them religious, must break through the despair, which is pervasive. Cheever agonizes over his familial past, his mother dying, his brother's alcoholism. He frets for his marriage, threatened by his constant lust. And he worries over his work, from the nuts and bolts of writing to its afterlife. In Rome, he escapes ``the alcoholic life of a minor literary celebrity.'' In Ossining, he recognizes the progressive nature of his disease. Recovery comes, but so does the cancer that took his life in 1982, with the last entry here written days before his death. More so than his letters, these journals remind us that Cheever has earned his place among the modern masters. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
13 of 14 people found the following review helpful.
The Journals of John Cheever: A Mini-Review
By M. szymanski
The sheer, physical elegance of John Cheever's stories, and novels, is equally on display in his journals. The journals, of course, is a more intimate look into the inner life of a fine writer, with all of Cheever's craftsmanship on display. The journals give you a full picture of Cheever's spirit and mind, in the pure, and eloquent language Cheever worked hard at.
0 of 0 people found the following review helpful.
so I absolutely loved getting the chance to have a sense of how ...
By Amazon Customer
I'm a huge fan of Cheever's short stories and where he lived in the Northeast is dear to my heart too, so I absolutely loved getting the chance to have a sense of how he thought during his off hours. He was definitely a troubled guy--he talks a great deal about loneliness and detachment and toward the end of the book you can barely handle how miserable he seems to always be, but he was incredibly perceptive and a super gifted writer. Descriptions of the trains in the winter and all his longing for love throughout a marriage that seemed to be ridiculous for both of them was really interesting. Not to mention of course of his side chicks and side dudes he is constantly mentioning. He doesn't tend to get too X rated until late in the book, but you get a great glimpse of his reality, whether it was staged or genuine as presented in his journals. His son's introduction was really perceptive too.
37 of 39 people found the following review helpful.
Psalms for the Modern Man
By D. Bateman
I devour published journals, diaries, notebooks, sketchbooks and even letter collections like no other category in literature. When they're good and not merely dull notation - "Supped at 7:30 and went to bed early," BLAH! - there's nothing quite like them. To me, they're the hidden ground of consciousness, the unpretentious flashpoint of self-understanding and creation. Of the (by this time) hundreds I've read, Cheever's journals lead the pack. For sheer honesty, beauty of perception and phrase, he transcends the genre.
John Updike wrote a review of the book complaining that there wasn't enough context, no footnotes to make sense of the entries. Respectable as he is, Updike got it wrong. No context is needed, because from beginning to end, Cheever maintains a singular perspective, a transparent love of the world in all its complexity that illuminates even the murkist turn of events. He called it the "CAFARDE," that downward-spiraling sense we sometimes get of the trap, the uselessness of it all. The home we can ill-afford and the relationship that requires more giving than receiving. And as much as he dodges it, the big let-down is STILL a thing of beauty, an invitation to be awed by life.
It's the small, gritty, real things that he loves the most and notes with an obsessive joy.
Cheever was a husband, father, a veteran, thinker, artist, bisexual, homeowner, traveler, charmer and comedian. All of this comes through in prose as light and essential as thought itself. If you are at all interested in the cartography of another person's soul, this will become an essential text for you, as it has for me.
I never met John Cheever in person, but it hardly matters. With this book, I have met him in a way that would have been forbidden, even impossible, at some random cocktail party. He knew what he was doing, writing these words. He was reaching across the decades, generations and the arbitrary change of style, reaching toward an unknown hand. I hope you'll take it and feel the warmth that, through Cheever's distinctive genius, hasn't cooled one degree since the words were typed.
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