Get Free Ebook Movie Love in the Fifties, by James Harvey
Book lovers, when you need a new book to check out, discover guide Movie Love In The Fifties, By James Harvey here. Never stress not to locate what you require. Is the Movie Love In The Fifties, By James Harvey your needed book currently? That's true; you are really a good viewers. This is a best book Movie Love In The Fifties, By James Harvey that originates from fantastic author to show to you. Guide Movie Love In The Fifties, By James Harvey provides the best experience as well as lesson to take, not just take, but additionally find out.
Movie Love in the Fifties, by James Harvey
Get Free Ebook Movie Love in the Fifties, by James Harvey
Movie Love In The Fifties, By James Harvey. Pleased reading! This is what we wish to claim to you that love reading a lot. Just what regarding you that claim that reading are only obligation? Never ever mind, checking out practice needs to be started from some particular reasons. Among them is checking out by responsibility. As exactly what we intend to provide right here, the e-book entitled Movie Love In The Fifties, By James Harvey is not type of obligated book. You could enjoy this book Movie Love In The Fifties, By James Harvey to review.
To get rid of the issue, we now supply you the innovation to get the book Movie Love In The Fifties, By James Harvey not in a thick printed file. Yeah, reviewing Movie Love In The Fifties, By James Harvey by online or obtaining the soft-file simply to check out could be among the ways to do. You could not feel that reviewing an e-book Movie Love In The Fifties, By James Harvey will serve for you. Yet, in some terms, May people effective are those that have reading routine, included this kind of this Movie Love In The Fifties, By James Harvey
By soft documents of the book Movie Love In The Fifties, By James Harvey to check out, you might not require to bring the thick prints anywhere you go. At any time you have going to read Movie Love In The Fifties, By James Harvey, you could open your gadget to read this book Movie Love In The Fifties, By James Harvey in soft documents system. So very easy as well as quick! Reading the soft data publication Movie Love In The Fifties, By James Harvey will certainly offer you very easy method to review. It could also be faster due to the fact that you can review your publication Movie Love In The Fifties, By James Harvey almost everywhere you really want. This on the internet Movie Love In The Fifties, By James Harvey can be a referred book that you can appreciate the solution of life.
Due to the fact that publication Movie Love In The Fifties, By James Harvey has great perks to read, lots of people now increase to have reading routine. Sustained by the established technology, nowadays, it is uncomplicated to get the publication Movie Love In The Fifties, By James Harvey Also the e-book is not alreadied existing yet in the market, you to look for in this site. As just what you could find of this Movie Love In The Fifties, By James Harvey It will actually ease you to be the first one reading this e-book Movie Love In The Fifties, By James Harvey as well as get the benefits.
From the author of Romantic Comedy (“brilliant, meticulous, a monumental work of scholarship” —Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s.
Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men—Clift, Brando, Dean, and other rebels without causes.
Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the “post-classical” movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the “serious” directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism.
Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history.
- Sales Rank: #1626228 in Books
- Published on: 2001-10-23
- Released on: 2001-10-23
- Original language: English
- Number of items: 1
- Dimensions: 1.58" h x 6.70" w x 9.57" l,
- Binding: Hardcover
- 464 pages
From Publishers Weekly
This impressionistic, illuminating and sometimes infuriating analysis of '50s films is an exquisite oddity: an investigation of popular culture that is as personal in its vision as it is scholarly in its range, as compulsively readable as it is detailed and exhaustive. Harvey's wide-ranging knowledge of films of the era dovetails beautifully with his ability to pinpoint "epiphanies" the recurring "fleeting scene of detail that carries such a sudden pressure of meaning and beauty... it could implode the movie screen." Rather then simply cataloguing films by themes or genre, Harvey (Romantic Comedy) takes on the far more difficult task of examining them through a prism of conflated, often conflicted views to attempt to understand their myriad sources and meanings. This ambitious project is at times enormously successful, as when he moves seamlessly through a discussion of the role of "the blonde" in '50s films, noting not only performances by Doris Day, Marilyn Monroe, Judy Holliday, Grace Kelly, Gloria Graham and Kim Novak, but also the contexts in which their films were made, their personal lives and their public images. Other times as when he provocatively suggests that Marlon Brando, James Dean and Montgomery Clift projected a "homoerotic charge" he seems overwhelmed by the complexity and implications of his arguments, leaving the reader feeling shortchanged. Though ostensibly about "love," much of the book is actually about "gender"; Harvey draws on (but rarely mentions) a history and tradition of feminist film criticism. Yet when he spends a sustained amount of time on a film usually cult favorites like Nicholas Ray's Johnny Guitar or Robert Siodmack's Phantom Lady his analytic method produces extraordinary results.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
For every "sanitized" movie that came out of the Fifties, there were others that shook up old formulas. Critic and essayist Harvey explores and ultimately eulogizes Hollywood films of this era, a time of transition when the Production Code was being scrapped and the studio system abandoned. His "loves" include archetypal blonde actresses (Kim Novak, Janet Leigh), Method actors (Brando, Dean, Clift), and directors who were either subtle craftsmen (Robert Siodmak, Max Ophuls, Douglas Sirk), master technicians (Hitchcock and Welles), or mavericks (Nicholas Ray). Harvey's close, sensitive readings of films as texts and his analyses of shots and characterization mean that the reader does not need to have seen the films to appreciate this work. Harvey affectionately delineates important nuances of the films he chooses to discuss even those he disdains and provides enough context to keep the discussions tight. His movie love is inspired and infectious. Recommended for academic libraries. Jayne Plymale, Univ. of Georgia, Athens
Copyright 2001 Reed Business Information, Inc.
From Booklist
Whatever you might be thinking, this isn't about onscreen amour, 1951-60. Instead it's a meditation born from Harvey's estimation that "the whole postwar period from the late forties to the early sixties" is an underappreciated era of American movies, a bridge between the glossy splendor of the tyrannical-big-studio era and late-'60s cinema. Quoting Andre Bazin, the dean of all French film critics, Harvey notes that the "'revolution' in the postwar Hollywood movie was in subject matter, not style." His subsequent essays on the stars, films, and directors pay most attention to movies manifesting "recurring little 'epiphanies'"--perfect little details that carry "such a sudden pressure of meaning and beauty" as to deeply affect thoughtful viewers. The individual chapters "Betty Grable to Doris Day," "Clift, Brando, Dean," and "Noir Heroines" are all great, but Harvey is at his languid best parsing director Douglas Sirk and producer Ross Hunter, not least for their Imitation of Life. Individual films, such as Vertigo and The Big Heat, also receive chapter-length consideration in this engrossing study. Mike Tribby
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
12 of 13 people found the following review helpful.
Interesting, if only to browse through
By Tom Moran
Sandwiched uneasily between the 1940s, when Hollywood reached its wartime peak, and the 1960s, when the studio system finally collapsed, the 1950s was an odd transitional decade in American filmmaking, whose oddity James Harvey explores at length (if not always in depth) in his new book, "Movie Love in the Fifties."
He discusses not only films that cinephiles will be sure to have seen, but a few they're likely never to have heard of (among them the Deanna Durbin vehicle "Christmas Holiday," which Harvey makes sound so perversely engaging you'll regret it's not available on video). His view of the period, however, is both idiosyncratic and incomplete - you'd be hard pressed to realize from Harvey's account, for example, that directors as disparate as Samuel Fuller and Vincente Minnelli were doing some of their best work in the 50s. Some great films of the era -- Minnelli's "Some Came Running," for example -- go unmentioned here.
When Harvey is intrigued by a director, such as Nicholas Ray, Robert Siodmak or the currently trendy Douglas Sirk, his analysis can be enthralling (his take on Sirk's "Imitation of Life" alone is worth the price of the book). But as well as being a little uncertain factually (he has Marilyn Monroe and James Dean dying, respectively, a year earlier and later than they actually did), too many pages are devoted to meandering plot summaries of films all-too-readily available on video.
All told, the book is worth checking out, but you might want to do some judicious skimming.
14 of 16 people found the following review helpful.
Like overhearing a wonderful monologue on Fifties films
By Michael Samerdyke
I think Harvey's "Romantic Comedy" is one of the best books ever written on Hollywood films, so I really looked forward to reading "Movie Love." I was not disappointed. The new book is as thoughtful and well-written as the previous book. My only complaint is that "Movie Love" is not chronologically organized.
Harvey sets up an opposition between traditional Hollywood cinema and the "new realism" of the Fifties. He comes down in favor of the traditional filmmaking of Douglas Sirk, Alfred Hitchcock and Robert Siodmak, as opposed to the emotionalism of, say, "East of Eden" or other movies influenced by "Method" actors.
Reading "Movie Love in the Fifties" is like listening to a wonderfully informed person talk about the movies he is enthusiastic about. Harvey's style is free of academic jargon, and he makes you remember that people went to movies because they were fun. I found myself dying to see "Vertigo" and "Written on the Wind" again after reading this book, and Harvey has persuaded me that I've got to track down and see "Christmas Holiday," "Lured," and "Imitation of Life" now.
2 of 2 people found the following review helpful.
A masterful book -- ignore the naysayers.
By Mr. Borderman
"Movie Love in the Fifties" is one of the best books ever written about American cinema. The nasty 1 star reviews on this site reek of personal animus and sound agenda driven and disingenuous.
Harvey, even more than Pauline Kael, has an ability to describe what he's watching on screen in a way that not only brilliantly summarizes what we would see ourselves, but interprets and comments on the screen action and the performances at the same time, making visible layers of meaning and feeling a casual viewer could miss entirely. His whole chapter analysis of "Christmas Holiday" is a sterling example of his technique, and a reading that elevates a remarkable but imperfect film in the eyes of the reader and the viewer. If you have a fondness for Deanna Durbin (and millions still do) you will never see her again the same way after reading Harvey's sympathetic and revelatory analysis.
He's equally eloquent on dozens of other films and stars from a decade usually dismissed by serious critics as a product of a repressed and conventional social climate. Along with his "Romantic Comedy" this book guarantees Harvey a place in the pantheon, even if these are the only two books we have from him.
Movie Love in the Fifties, by James Harvey PDF
Movie Love in the Fifties, by James Harvey EPub
Movie Love in the Fifties, by James Harvey Doc
Movie Love in the Fifties, by James Harvey iBooks
Movie Love in the Fifties, by James Harvey rtf
Movie Love in the Fifties, by James Harvey Mobipocket
Movie Love in the Fifties, by James Harvey Kindle
Tidak ada komentar:
Posting Komentar