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A Life of Picasso, Volume II: 1907-1917 - The Painter of Modern Life, by John Richardson
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In the second volume of his definitive biography of Pablo Picasso, John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research and personal experience that made a bestseller out of the first volume and vividly re-creates the artist's life and work during the crucial decade of 1907-1917--a period during which Picasso and Georges Braque invented cubism and to that extent engendered modernism. Thanks to his friendship with Picasso and his family, mistresses, friends, dealers and other associates, Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist's too often sensationalized private life, he has succeeded in coming up with a totally new view of this paradoxical man and of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and, not least, his sardonic humor been analyzed with such clarity.
Richardson reveals that the young Picasso saw himself in the Baudelairean role of "the painter of modern life"--a role that stipulated the brothel as the noblest subject for a modern artist. Hence his great innovative painting Les Demoiselles d'Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, the author analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable--more often sinned against than sinning. Heartbroken at the death of his mistress Eva, the artist tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915-1917 successively turned him down; and how these disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to Rome--back to the ancient world.
For Picasso, art would always have a magic function. As Richardson reveals, the artist saw himself as a shaman who could use his art to cast spells, both good and bad, and play all manner of ingenious and sardonic games. This greatest of modern artists knew better than anyone how to outrage us, also how to fascinate, puzzle and disturb us. Above all, he makes us perceive reality afresh by re-energizing our minds as well as our eyes.
- Sales Rank: #863864 in Books
- Published on: 1996
- Released on: 1996-11-05
- Original language: English
- Number of items: 1
- Dimensions: 10.75" h x 8.75" w x 1.75" l, 4.03 pounds
- Binding: Hardcover
- 500 pages
Amazon.com Review
This second volume in Richardson's exhaustive and intense biography of the twentieth century's greatest artist covers the ten years from 1907, where volume one ended its epic story of youthful Bohemian struggle. Picasso was then 26; the decade covered here displays a journey to adulthood through astonishing artistic innovation, a growing renown, and the artist's turbulent sexual relations. Richardson details Picasso's public career, including the impact of Cubism, and his complex personal life, notably the artist's passionate and callous treatment of his wives and mistresses ("deification followed by a degrading process of psychosexual dissection"). Through perceptive analysis of Picasso's paintings, Richardson also offers a deep understanding of the inner demons that shaped his remarkable outer life.
From Publishers Weekly
Richardson believes Picasso was "as much sinned against as sinning," at least during the period covered here. This abundantly illustrated second installment of a masterly, indispensable biography puts Picasso in a new light. Shattered by the death in 1913 of the father he loved and hated, the rebellious son concealed his grief but later would claim that the countless pigeons and doves in his pictures were a form of "repayment" to his pigeon-fancying parent. The messianic artist we meet here was misogynistic but also generous and loving. Sulking and bad-tempered (perhaps due to his stomach ulcers), he also displayed brightness of spirit and intelligence. He was a macho pacifist; a hypochondriac; an animal lover gifted with a rapport with dogs and birds. Picasso is often accused of betraying his friend, poet Guillaume Apollinaire, who was arrested in 1911 on charges of stealing Iberian sculptures from the Louvre?statues he and Picasso acquired from the thief, a Belgian drifter, but Richardson maintains that Picasso justifiably resented his friend for incriminating him in the theft. While Picasso escaped charges of receiving stolen goods, perhaps by pulling official strings, Apollinaire, released after days of interrogation and public humility, was devastated by the scandal. Currently a professor of art at Oxford, Richardson befriended Picasso and his circle in the 1950s while living in France, and the artist's friends?Max Jacob, Jean Cocteau, Georges Braque, Apollinaire, confidantes Gertrude Stein and Alice Toklas?come vibrantly alive. In a tour de force of scholarship, sleuthing and critical empathy, Richardson charts Picasso's invention (with Braque) of cubism, his escape from it and his rebirth as a classicist.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
The currently revival of interest in Picasso's life and work goes beyond the art world. Though he may benefit from current interest in his subject, Richardson's work is no trendy undertaking. Perhaps no artist's life has been so intelligently dissected as Picasso's in this multivolume examination. The author decodes the "messages" the artist painted concerning his mistresses, his gamesmanship with Braque in pioneering Cubism, his rivalry with Matisse, and his influence on Juan Gris. Richardson portrays Picasso's childlike and selfish natures but always with sympathy to the artist's point of view. Fully illustrated with the artist's works and with photographs of people who play a role in the story, Richardson captures both the art that changed the very definition of art and the artist's charisma. Although working from galleys without illustrations limited this reviewer's ability to comment on some fine points of Richardson's analysis, the book can carry the highest recommendation for all public libraries and special collections.?Ellen Bates, New York
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By R. W. Tether
A very good and extensive history of Picasso
6 of 6 people found the following review helpful.
Richardson Deserves Praise
By Stacey Cochran
This is the best biography I have ever read. It was absolutely brilliant. If you have ever wondered what it was like to live in Paris in the early twentieth century, as an emerging artist (what a cool daydream, right?) this is the book for you. All of those tales of Hemingway and Fitzgerald on the French Riviera, the women, the cafes; Richardson captures it here: the life of an artist realizing his potential as an artist -- it is truly amazing. His explanations accompanying each painting, the way they came to fruition, the stories behind the early masterworks, the market (Les Demoiselles [i.e., the 'most studied painting of the 20th Century' Richardson opines, and arguably the first cubist painting, so upset Picasso and unsettled his friends that he kept it virtually hidden for a decade [this was a young Picasso before his artwork {and ego} commanded millions] and it was touching to read and see this side of young Pablo). Sure, recent trends have tended to treat Picasso with great disdain, and while this IS only a biography, it is the most incisive biography into one of the most celebrated creative minds of the twentieth century that I have ever read. Honestly. The biography itself is an intense revelation -- thoroughly, exhaustively researched and written, and a credit to John Richardson as a human being, a researcher, and a biographical author -- an artist in his own right.
10 of 10 people found the following review helpful.
A Perfect Biography
By Michael.Hyland@t-online.de
I agree largely with the other review. One of the things worth mentioning is that this book is also one of the best descriptions of cultural life in France in the first and second decades of the 20 th century I have ever read. You meet people like Appolinaire, Gide, Max Jacob, Kahnweiler, Vollard, Gris, Matisse and Bracque and begin to understand the particular, immensely productive environment of pre-war France. It was also of huge interest to read about the real friendship between Bracque and Picasso and how this lead to such wonderful, very similar pictures like "Le Portugais" (Bracque) and "Man with Mandolin" (Picasso). I look forward indeed to the next volume and aim to read the first one immediately.
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