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Real Life Drama: The Group Theatre and America, 1931-1940, by Wendy Smith
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Dense in character, incident, and ideas, Smith's book is a compassionate history of The Group Theatre and the turbulent times that produced, adulated, and ground it up. Most of the greats in American actor training and theater practice came together in a blaze of idealism to change the quality of theater in this country by developing a high level of realistic ensemble acting and a theater directly responsive to political realities. Change theater they did, though not quite in the ways they intended. This book tells their story better than it has been told before. Its research is substantial, it is well written, and it is committed to what was right and lasting in The Group. Smith's book is required reading on the development of modern American theater. - Thomas E. Luddy, Salem State Coll., Mass. Copyright 1990 Reed Business Information, Inc.
- Sales Rank: #1345939 in Books
- Published on: 1990-11-21
- Released on: 1990-11-21
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 482 pages
From Publishers Weekly
Widely considered America's finest acting ensemble during the 1930s, the Group Theatre, with its self-defined mission to reconnect theater to the world of ideas and actions, staged plays that confronted social and moral issues. Brought strikingly to life here by New York-based writer-editor Smith, members Harold Clurman, Lee Strasberg, Stella and Luther Adler, Clifford Odets, Elia Kazan and an ill-assorted band of idealistic actors living hand to mouth are seen welded in a collective of creativity that was also a tangle of jealousies, love affairs and explosive feuds. While the Group, "on Broadway but not of it," never resolved the contradiction of working in commercial theater with a noncommmercial philosophy, this prodigiously researched, definitive chronicle demonstrates that its quest for emotional truth revolutionized the craft of acting. A shrewd mix of history, criticism, biography and gossip, the book reveals that the company meant different things to different members: for Stella Adler, raised on European classics in Yiddish theater, playing a faded Southern belle held little attraction, neither did the ensemble's communal life; playwright Odets looked to the Group for artistic and spiritual salvation; Clurman, flamboyant, often arrogant but approachable, held the others together. Smith forthrightly deals with the still controversial issue of the Group's politicization, tracing members' growing radicalism and ties to workers' theaters around the country. From its birth in the Depression to its breakup as Hitler's armies overran Europe, the Group's 10-year saga, as told here, is dramatic and inspirational, illuminating the actors' efforts to make art a force for change, to integrate work and personal life. Photos.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Dense in character, incident, and ideas, Smith's book is a compassionate history of The Group Theatre and the turbulent times that produced, adulated, and ground it up. Most of the greats in American actor training and theater practice came together in a blaze of idealism to change the quality of theater in this country by developing a high level of realistic ensemble acting and a theater directly responsive to political realities. Change theater they did, though not quite in the ways they intended. This book tells their story better than it has been told before. Its research is substantial, it is well written, and it is committed to what was right and lasting in The Group. Smith's book is required reading on the development of modern American theater.
- Thomas E. Luddy, Salem State Coll., Mass.
Copyright 1990 Reed Business Information, Inc.
Most helpful customer reviews
10 of 10 people found the following review helpful.
An essential history of the century's most important theatre
By A Customer
A great book. It details one of the most important theater companies to ever come out of the United States. The stories are rich(as in the once in a lifetime story of the audience's response to Waiting for Lefty) and the background thoroughly researched. As a member of a young, struggling theater company it gave me inspiration and comfort the way great history should. I wish she would write a biography of their logical successor, Steppenwolf of Chicago.
3 of 3 people found the following review helpful.
Fascinating historical drama, and it's true!
By Charles - Music Lover
Wendy Smith's study of the Group Theatre is impressive and seemingly definitive. Well-written, instructive, and entertaining, this book centers on a legendary theatrical company that lasted little more than ten years but created an indelible imprint on our culture. From the Group sprung the talents of Lee Strasberg, Stella Adler, Elia Kazan, Clifford Odets, Harold Clurman, and Cheryl Crawford, all of whom had a major and lasting impact on the dramatic arts long after the Group had come and gone.
Smith lovingly (and this book is obviously a labor of deep love) retells the Group's history in a compelling and natural way that will leave quite an impact on the reader. She skillfully weaves together the cultural and political forces of the 1930s that shaped the Group's story. Very highly recommended!
3 of 3 people found the following review helpful.
Great book on the Group Theatre
By Michael
If you are interested in the Group Theatre or the history of American acting...this is a great book.
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