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Flash of the Spirit: African & Afro-American Art & Philosophy, by Robert Farris Thompson
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This book reveals how five distinct African civilizations have shaped the specific cultures of their New World descendants.
- Sales Rank: #71720 in Books
- Brand: Thompson, Robert Farris
- Published on: 1984-08-12
- Released on: 1984-08-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .72 pounds
- Binding: Paperback
- 336 pages
Review
"Robert Farris Thompson is the art historian of Africa who has turned his talents to Afro-America and sketched the course that creative new work is likely to follow." -- Eugene Genovese
This landmark book shows how five African civilizations -- Yoruba, Kongo, Ejagham, Mande and Cross River -- have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
"A wonderfully enthusiastic book...Mr. Thompson is a professor of art history, but he takes his subject in the round, not in any specialized or compartmentalized manner. He is part anthropologist, part art critic, part musicologist, part student of religion and philosophy, and entirely an enthusiastic partisan of what he writes about."
-- The New York Times Book Review
"Centuries of racist assumptions go packing it in Flash of the Spirit." -- The Village Voice
"This is art history to dance by." -- The Philadelphia Inquirer
From the Inside Flap
This book reveals how five distinct African civilizations have shaped the specific cultures of their New World descendants.
From the Back Cover
This landmark book shows how five African civilization have informed and are reflected in the aesthetic, social and metaphysical traditions of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil, and other places in the New World.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Very well summarize, and impressive. A deep understanding of African beliefs that time has not forgotten!
By Amazon Customer
Informative and well written! Enjoyed
21 of 21 people found the following review helpful.
brilliant and insightful look at the interconnectedness of the Diaspora with the world.....
By D. Pawl
I had the privilige to see Robert Farris Thompson, when the FACES OF THE GODS exhibit came to the Seattle Art Museum. Dr. Thompson came to speak about the history of the orishas (gods and goddesses) in the santeria and vodoo religious practices amongst the Afro-Cubans, Afro-Brazilians and African-Americans. What sets Thompson apart from other scholars is his genuine passion for the subject matter he has well-researched, as well as his vast knowledge of the Diaspora, and the cultural interconnectedness of people of African descent throughout the globe.
FLASH OF THE SPIRIT examines on a closer, more intimate level the cultural significance of the gods and goddesses depicted in mythology and art of those who are practitioners of (among other religions) Yoruba, Santeria and Voodoo faiths. We see beautiful and powerful illustrations and photographs of the jewelry, textiles, plates and figurines used in worship, and we also get insight into the characteristics of the gods and goddesses, their meaning in the lives of those who pray to them, and how this plays into other parts of society, human interaction and behavior. I come away from this book feeling that we are lot closer than we think, and that while "African-American" and "African" are important distinctions to recognize in terms of cultural definition, they are also at times parallel and quite similar to the indigenous Native cultures of South and Central America, as well as other parts of the world. This is fascinating material and Farris Thompson's writing style is pure poetry. I guarantee that once you start reading this book, you won't be able to put it down.
29 of 33 people found the following review helpful.
An eye-opening look at the African soul in America
By Earl Hazell
I enjoyed this book when I first read it as much for the kinds of bridges it seemed to make as for his own writing style and subject matter. R.F. Thompson, who I had the pleasure of meeting once in the Metropolitan Museum of Art in New York, is someone who along with being highly knowledgeable cares a great deal for the subject. Where the book could be considered lacking I would say is it's way of seeming dated. It bares some cultural prejudice which, considering the cultural remoteness of the subject matter when compared to the intellectual/cultural arena of the writer(African and African-American, Afro-Cuban/Hispanic culture vs. Post-World War II Ivy League) - and how well he did anyway- is forgiveable, but present nonetheless. If you are expecting some pretty powerful things to be said about Coltrane, or the early days of Rap music and Hip-hop dance (now in its third decade of existence already), or Modigliani, or other things that are in the forefront of the present culture's mind, to a certain degree you will be disappointed. However, if you had no idea other than the Alex Haley "Roots" era rhetoricals about the derivation of many African-American and Hispanic/Hispanic-American cultural paradigms, this will enlighten you in ways that will have you going to the bookstore to see what else he and many others have written on the subjects. I recommend it- particularly for lovers of European modern art, studies of religion, and other things influenced by the Mother country.
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