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Remembrance of Things Past Volumes 1-3 Box Set, by Marcel Proust
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The gift-boxed set of the three paperbacks.
- Sales Rank: #1495443 in Books
- Published on: 1982-08-12
- Released on: 1982-08-12
- Format: Box set
- Original language: English
- Number of items: 3
- Dimensions: 8.50" h x 6.62" w x 5.50" l,
- Binding: Paperback
Amazon.com Review
Marcel Proust whiled away the first half of his life as a self-conscious aesthete and social climber. The second half he spent in the creation of the mighty roman-fleuve that is Remembrance of Things Past, memorializing his own dandyism and parvenu hijinks even as he revealed their essential hollowness. Proust begins, of course, at the beginning--with the earliest childhood perceptions and sorrows. Then, over several thousand pages, he retraces the course of his own adolescence and adulthood, democratically dividing his experiences among the narrator and a sprawling cast of characters. Who else has ever decanted life into such ornate, knowing, wrought-iron sentences? Who has subjected love to such merciless microscopy, discriminating between the tiniest variations of desire and self-delusion? Who else has produced a grief-stricken record of time's erosion that can also make you laugh for entire pages? The answer to all these questions is: nobody.
From School Library Journal
Adult/High School-In 1998, French cartoonist Heuet began a planned 12-volume project to recast Marcel Proust's opus as a full-color graphic novel. This second in the series to be translated into English continues the story of a young man so sensitive to his surroundings that even the memory of scents and tastes fills his thoughts and colors his health. He accompanies his grandmother to the seaside at Balbec, eagerly anticipating the drama of the waves he imagines can be viewed from the 12th-century church, but resigned to a lengthy stay at a tourist hotel where the concept of social class takes on a nearly gladiatorial pitch. Heuet's illustrations key in to the newness of electric lighting, the frivolity of fashions, and the rigidity of correct facial expressions and postures. Both narrative frames and speech bubbles are studded with Proustian turns of phrase. While certainly no substitute for the original, the book offers a wealth of period and aesthetic detail that will delight artists and readers.
Francisca Goldsmith, Berkeley Public Library, CA
Copyright 2002 Reed Business Information, Inc.
Review
“As close to being a definitive English version of the great novel as we are likely to get...This new edition will serve to introduce new generations of readers to what Somerset Maugham rightly described as the greatest novel of our century.” –Allan Massie, Scotsman
Most helpful customer reviews
191 of 203 people found the following review helpful.
Bewilderingly unique
By A Customer
I'm afraid I cannot really quantify "A la recherche dutemps perdu" in terms of a star rating, although I have had togive it 5 stars because I couldn't submit my review otherwise! It took me the best part of two years to read Proust's magnum opus and the question I find myself asking is: was it time well spent? I'm really not sure, even two years later.
The first and most important thing I will say is that the novel is unlike anything you will ever read, and Proust is totally unique among authors. If you thought Tolstoy or Eliot were insightful, Proust digs beneath another ten layers of motive and counter-motive to reveal his truths: there has never been a writer prepared to go to such exhaustive lengths. I'm still not sure exactly what the book is about, either. Nominally it is an exploration of the perception of time and its effects on the mind. Proust shines this light on his protagonist's early years and the high social circles he finds himself moving in. Some of the characters are memorably bizarre - principally the Baron de Charlus, whose incredible arrogance and self-deception will certainly provide the reader with a few surprises.
... Proust's other fascinations with lineage and place names may not be to every reader's tastes but are revealing insights into his incredible pedantry and appetite for minutiae.
The writing itself is often astonishing - Proust's ideas about love, betrayal and jealousy are sometimes diametrically opposed to received wisdom, but when he concentrates his unmistakable genius on these themes it is hard not to agree with his reasoning, however cynical it may be.
Overall, I wouldn't recommend "A la recherche du temps perdu" lightly. Many people won't get past the opening ruminations over the effects of Marcel missing his mother's goodnight kiss. However, for serious literary buffs it is a must. END
28 of 28 people found the following review helpful.
The Best Work of "Fiction" Ever Written
By C. Gardner
Moncrieff/Kilmartin's translation is still the best. Proust's life-work is the most psychologically acute novel ever written, and a perfect match between form and content. His form is the memoir, conceived as a piece of music, with themes and variations, codas and recapitulations. The content is a list of evolving concerns, from love (in all its forms) to aesthetic creation and appreciation, as well as a sort of living autopsy of the aristocracy of his time. His motives were manifold, but it seems Proust primarily wanted to get in the final word on those people he knew throughout his life, and show he both understood them (better than they themselves) and that they had little inkling of his amazing inner life. For all his encounters with and criticisms of snobs and poseurs throughout the work, and his tendency to fully absorb himself in his experiences, Marcel the narrator risks coming off as a snob himself; but quite the opposite, he denigrates himself constantly with reference to his own writing abilities, up into the very last section of "Time Regained" when the structural idea for the novel we have just read comes to him. He's disappointed many times by his own experiences, when they are is measured and conditioned by the background of his keen aesthetic imagination. His salvation is both the Idea for the novel, and a theory of time/identity which has been "calling out" to him with his famous episodes of "involuntary memory" (the most famous of which is the tea-dipped madeleine). As one reads on, there are times when it seems Proust has suspended all action and narrative in favor of impressions which resonate against one another. It may seem gratuitous or self-indulgent, but he is "performing" his theory at the same time he's telling you about it. They each have a purpose, and it seems he's trying to enact a philosophical theory of identity and experience: as if we the subject are nodes of activity that blend memory and present conscious experience.
"Remembrance of Things Past" can be a difficult work to read, but it is so very much worth it. One needs no guide to read this work; it's not as allusive as "Ulysses" nor esoteric like "Gravity's Rainbow". Proust's style is very reader-friendly (albeit he spins very long sentences). He respects the reader, and wants her to understand exactly where he's coming from, for this novel is like the map Borges once described in one of his "Ficciones": it's a representation so large and subtle and complex that it is as big as what it depicts.
If Proust were alive today, he'd probably be kibbitzing with Hollywood stars or the world's billionaire elites...And not much of this book would change!
31 of 32 people found the following review helpful.
fantastic work, but not for everyone
By Mark Hornberger
This work can, if you're a certain type of person, become a central part of your internal world. And to Proust, the internal world was more intensely real and important than the external world. You might say that he thought the internal world was the only one that mattered. But this book is not for the type of person who likes an exciting plot, who wants to find out "what happens next" or witness thrilling plot twists, unsolved murders, missing treasure, or be told that the good guys win and the wicked are punished. This is about the nature of human consciousness, and about our capacity (if any) to really connect with other human beings.
If you've ever been described as "overly" introspective or melancholy, if you've felt that you have trouble connecting with other people, and you like to read, this book may become an important part of your life. Proust has changed (or perhaps fleshed out) the way I think about love, relationships, perception, human nature, the life of reflection, and most other things that really matter. I haven't finished the work yet, because I keep starting over. While there are supposedly 7 volumes (or 6, depending on the translation and edition) in reality it is just one work, over 3000 pages long. It does seem to drag at times, so I'll find myself skimming, only to realize a hundred pages later that I missed some incredible insight he had been developing the whole time. After I do this a few times, I think "what the heck, I'll just start this volume again, to see what I missed" and it's WORTH IT. I see more every time, and what I see is worth the effort several times over. So when I do finish (eventually) I'll just start over again with Swann's Way.
Proust's work, along with that of Dostoevsky, has assumed a significance in my life similar to the importance the Bible has for devout Christians. I'm not referring to the quoting of chapter and verse, but to the depth of understanding (and perhaps even a type of revalation) that is developed with successive, careful readings. This book is wonderful.
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