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"Fascinating...convincing...believable."
NEWSDAY
The time is 1940. Jonathan Darrow is an Anglican priest when he receives a shattering vision and knows he must leave the monastery that has been his home for seventeen years. As he plunges into the temptations of the real world, a crisis sends him into the labyrinth of his past to pluck out the buried truth beneath the deceptions he has been living through.
From the Paperback edition.
- Sales Rank: #612686 in Books
- Published on: 1988-10-26
- Released on: 1988-10-26
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 403 pages
From Publishers Weekly
Jon Darrow is the Anglican priest and abbot with a charismatic presence and psychic abilities who figured in a small but memorable way in Howatch's Glittering Images , to which this is a sequel. Darrow's "glamorous powers" are both a blessing and a curse: he is subject to intense visions which may come directly from Godor from the Devil. Set during the early years of WW II, and told in the first person, the narrative appropriately holds the reader spellbound by the hints and gradual revelation of Darrow's character. The novel opens with a vision that Darrow interprets as God's instruction to leave his religious order and return to serve Him in the world. But he is forced to work with his superior, an old enemy, to ascertain whether this was indeed a true vision from God, and he finds himself revealing more and more of his life and motivations. When he does leave, the strain of the upheaval and the subsequent events provoke an intense spiritual crisis and breakdown; but this signals the collapse of the spiritually arrogant, intellectually superior persona that Jon Darrow had created to protect himself from the pain of being. In this witty, wise novel, the question, "Does God exist?" is always understood and, true to life, ambiguously answered. Howatch assures her readers that a third novel, about a peripheral but minor character here, is on its way. 75,000 first printing; BOMC alternate .
Copyright 1988 Reed Business Information, Inc.
Review
'Glamorous Powers is a brave and welcome new direction for Susan Howatch to take' Observer 'An intriguing and wholly involving story' New York Times Book Review 'This novel marks a remarkable departure for Susan Howatch' Today 'Howatch writes thrillers of the heart and mind ... everything in a Howatch novel cuts close to the bone and is of vital concern' New Woman 'A mesmerising storyteller' Daily Telegraph 'One of the most original novelists writing today' Cosmopolitan 'She is a deft storyteller, and her writing has depth, grace and pace' Sunday Times
From the Inside Flap
"Fascinating...convincing...believable."
NEWSDAY
The time is 1940. Jonathan Darrow is an Anglican priest when he receives a shattering vision and knows he must leave the monastery that has been his home for seventeen years. As he plunges into the temptations of the real world, a crisis sends him into the labyrinth of his past to pluck out the buried truth beneath the deceptions he has been living through.
From the Paperback edition.
Most helpful customer reviews
43 of 43 people found the following review helpful.
Entertaining, Thought Provoking, Inspiring, and Enlightening
By A Customer
When Susan Howatch's Church of England Series was recommended to me, the first book to fall into my hands was Glamorous Powers. I read it three times; once just for the captivating story she wove; a second time with the dictionary; and a third time to meditate on the psychology and theology. Few books have made such a profound impression, reaching beyond entertaining to mentally challenging and spiritually inspiring. This book and the rest in the Church of England series (I have read all seven) are unique in modern literature, grappling boldly and convincingly with the deepest concepts of faith through the most entertaining medium of master storytelling told by one of the best. I highly recommend every book in this series. Each is entertaining. Each is a study of hope in the face of despair. Each is a mystery skillfully unraveled. Most I have read more than once, but Glamorous Powers, by a narrow margin, continues to be my favorite. This book is a bargain at any price; this author, a treasure.
0 of 0 people found the following review helpful.
Can't-Put-Down series from one of THE best writers of the 20th century.
By Elfgiva
Susan Howatch has long been noted as a rare writer with a true gift. Her artistry and quality is ever more noticeable now, after reading various samplings culled from the current deluge of amateur, self-published books, which, although to be fair - NOT always - tend to suffer from poor or non-existent editing and frankly mediocre skill.
The Starbridge series is top notch and stands easily with her earlier works of sprawling magnificence such as Penmarric or Cashelmara. If you love complex, imperfect characters drawn with a fine, artist's eye, great storytelling -- and a unique, extraordinary command of language so delightful that it can make you laugh out loud - - look no further. HIGHLY recommended!
6 of 6 people found the following review helpful.
Writing at its very best
By Gregory Bascom
This review is for the first Ballantine Books paperback edition, November 1989, a volume of unknown origin found while cleaning out the bookcase. I decided to read it only because Amazon.com customers rated it five stars. Although I was raised as a Roman Catholic, and at age thirteen spent a year in the seminary, I soon became disenchanted with, and largely disinterested in, organized religion. Notwithstanding this bias, I'm glad that I read GLAMOROUS POWERS.
The plot opens in Grand Chester England at a quarter to six on Friday morning, May 17, 1940 in the cell of Jon Darrow, who for the past seventeen years has been a monk in the (fictional) Anglican Fordite Order of Saint Benedict and Saint Bernard. Jon is having a vision. He interprets this vision as God's instruction to leave the order and embark on a new, unspecified calling. Before Jon can leave, however, he must convince the Abbot General, Francis Ingram that his vision was a communication from the Holy Spirit and not an aberration of a disturbed psyche. There follows a fascinating mental dual between Jon and Francis.
This deep and literary exploration of psyches pervades the story. Before each chapter and section, the author liberally quotes from the works of W. R. Inge, particularly MYSTICISM IN RELIGION. Jon has mystical (glamorous) powers, healing powers, which Francis thinks are often nothing more than "parlour tricks." I thought of "Anglo-shamanism."
Although the story evolves within the institutions of religion, it does not tamper with faith or belief, so the reader need not worry about being upset by heresy or theological debate. The author confines polemic disputes between Anglo-Catholics and Roman Catholics, Low Church and High Church, to ritual, and treats these as external conflict rather than internal struggle. This story is not about religion, but about the psyche, with pervasive emphasis on the guilt and anger emanating from parental failures.
Jon Darrow has problems, "dis-ease" he would say. The larger than life character is Francis Ingram who unravels Jon's troubled psyche without revealing his own disturbances. At one point Jon shuns Francis and mires himself into a muck of troubles, and at page 296 I made a note that the story was getting a bit tedious. It revived, I thought, around page 339 with the return of my hero Francis. Indeed, the acerbic and witty letters written by Francis to Jon are splendid examples of writing at its very best.
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