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Alone of All Her Sex: The Myth and the Cult of the Virgin Mary, by Marina Warner
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Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power,the legends of Mary have condemned real women to perpetual inferiority.
- Sales Rank: #811751 in Books
- Published on: 1983-03-12
- Released on: 1983-03-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.00" w x 5.20" l, 1.15 pounds
- Binding: Paperback
- 488 pages
Review
"Dramatic, informative and entertaining...a substantial and provocative book." - TLS
"A work of remarkably elegant and eloquent scholarship." - Observer
"Astonishing and enlightening.... packed with scholarship, imagery, vivid selection, and wry contrastive comment." - Margaret Mead
From the Inside Flap
Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power, the legends of Mary have condemned real women to perpetual inferiority.
About the Author
Marina Warner is a prize-winning novelist and cultural historian whose works include From the Beast to the Blonde, Managing Monsters (the 1994 Reith Lectures), Indigo and The Lost Father (shortlisted for the Booker Prize).
Most helpful customer reviews
1 of 2 people found the following review helpful.
Good, sometimes ranty
By Zach
Good book coming from the second wave of feminism, although sometimes it feels like a rant. Still, the history of Mary is very well researched.
Published in 1976 by Marina Warner, Alone of All Her Sex: The Myth and the Cult of the Virgin Mary is both a lasting work of scholarship and an artifact of its own time—second wave feminism. As such, it focuses less on the legal restrictions that have been put on women through the centuries than it does on the influence that culture has upon our view of women. The subject of Warner’s book holds deeply personal relevance to her own experience, so at times the book might seem almost like a personal rant. However, it is an experience shared by many women—especially those who grow up Catholic—and the scholarship that Warner puts into the writing of her book should not be understated. It is a rare feat for an author to write about such a personal subject with research of such depth, and Warner does just that. Alone of All Her Sex stays admirably focused on its topic throughout, not veering too much into other feminist agendas.
Warner’s book is structured in five major parts. Each part is about a certain identity that Mary represents: Mary as the Virgin, Queen, Bride, Mother, and Intercessor. Warner tells us, “I have not undertaken a history of the cult of the Virgin as such, but in chronological order I have taken aspects of her composite personality at their zenith and then worked backwards and forwards in time showing the ideas that contributed to their genesis and growth and lingered on in the tiredness of old age” (xxiii). This structure helps to emphasize Warner’s thesis that the Virgin Mary is the impossible achievement of a woman, a Christian myth whose standards place unnatural and unhealthy pressures upon the women who seek to emulate her and love her so. With this central guiding thesis, Warner’s book is less a chronological walkthrough narrative of the Virgin than it is a series of essays focusing on the various identities of Mary and pointing back to her main argument.
While certainly a work of feminist scholarship, the book does not make a strong case that the female gender is the only gender that experiences the pressures of unachievable ideals—and, to Warner’s credit, she does not try too hard to argue this. Instead, she focuses on her topic without excessive judgment of “the Patriarchy.” Writing with a clear agenda, the book stays on its own track with laudable honesty, allowing its reader to judge for herself. Like C. L. R. James in The Black Jacobins, Warner is upfront about her agenda, but nonetheless backs her writing with a wide variety of sources. Alone of All Her Sex may be called a history book only loosely. It certainly does not follow the Marxist methodology of history writing, but its adherence to old school history writing is, at best, loose. It is a study of the cult of the Virgin Mary throughout the ages, and, as such, is a study on cultural and religious history—it mentions on events only insofar as these events support her thesis on the cultural history of the Virgin Mary.
Warner backs her statements with a wide array of sources, proving the painstaking work and scholarship that went into the writing of her book. Because she is writing about the history and evolution of the cult of the Virgin Mary, she relies less on primary sources in the traditional sense and ancient history writing, instead preferring to quoting from traditional poetry, liturgy, songs, and other artwork, including paintings and mosaics. Warner also cites modern scholarship, thus cementing her role in the dialogue between the scholars of her generation. All this is not to say that Warner does not have a strong base in the historical progression of events surrounding the cult of the Virgin Mary. Warner often references events from the rich history of the Catholic Church; she simply does not make these events the centerpiece of her book.
Written in the second half of the twentieth century, Marina Warner’s Alone of All Her Sex cannot be considered a classic, but it is certainly a book anyone who wants to learn about the Virgin Mary or feminism in the context of religion must read. A uniquely written work, Warner’s book contains the personal elements, the objective historical sources, and the cultural analysis that modern non-Marxist interpretations of history are beginning to adapt and reconcile. A telling sample of second wave feminist literature, Alone of All Her Sex is a gift to the world written from its author’s heart.
0 of 0 people found the following review helpful.
Five Stars
By Marian Steinberg
exceptional source of information unavailable in any other collection
30 of 37 people found the following review helpful.
Brilliant research and interpretation
By Elizabeth G. Melillo
Marina Warner's writing style is so magnificent that each paragraph seems a tribute to the beauty of the English language. I should like to use this book as an instruction manual for advanced courses in literary composition.
In itself, this book is a landmark work of European history. Marina's treatment of nearly a millennium of devotions, historical implications, poetry, art, and culture is exceedingly extensive and cohesive.
I withheld the fifth star because the underlying thesis, that the devotions to Mary have condemned women to inferior status, distorts the essence of the devotions chronicled. Even in the 'age of faith,' the connections between devotion, which admits to God's ways being unknowable, and the physical manifestations (icons, relics and the like) which make them come alive for the believer, hardly would have been veritable manuals of 'how to use Mary's holiness to underline female inferiority.' In fact, were this book a historical work without the feminist angle, it would have been far better.
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