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The Hollywood Studios, by Ethan Mordden
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Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, ''growing up'' in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles? These are the questions Ethan Mordden answers, with breezy erudition and irrepressible enthusiasm, in this fascinating and wonderfully readable book. Mordden illuminates how the style of each studio was primarily dictated by the personality, philosophy, and attitudes of its presiding mogul--and how all these factors affected the work and careers of individual actors, directors, writers, and technicians, and the success of the studio in general.
- Sales Rank: #344344 in Books
- Published on: 1988-05-12
- Released on: 1988-05-12
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 387 pages
From Publishers Weekly
The studio system in Hollywood was doomed once the Supreme Court decided in 1948 that the same companies that created movies could not legally control their exhibition, forcing studios to divest their theater chains. That decision inaugurated a series of changes limiting studio contributions primarily to the financing and marketing of pictures. What was lost? Much more than the simple star-making machinery one associates with the studio era, as this entertaining, informative volume makes clear. Performing arts writer and novelist Mordden (The Hollywood Musical, etc.) ably demonstrates that each studio had its own distinctive style, deriving from the esthetic affinities of the moguls who ran them, the idiosyncrasies of their contract artists and the ways they distributed power among the studios' various creative departments. Mordden makes an amiable and authoritative guide as he tours readers through the studios of the 1930s and '40s, pointing out the hallmarks of the major housesthe MGM musical, the Paramount sex comedy, the Warner crime drama and more. Written with a flair and clarity that will delight even the casual movie lover, this study is a refreshing and convincing alternative to the auteurist approach to film history. Photos not seen by PW.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
Movie studios, originally small, nameless, faceless factory-like operations, grew and were shaped along stylistic lines. Focusing mainly on Paramount, MGM, Warner Brothers, Fox, RKO, and Universal, Mordden's highly readable text discusses actors, directors, and producers and explains how and why each specific house style was nurtured and developed. Written with wit by an expert, this book gives more insight and perspective to the rise of the studios than such books as John Douglas Eames's The Paramount Story ( LJ 12/85). One snagit lacks an index. Recommended for all film collections. Arthur Bargar, Milford P.L., Ct.
Copyright 1988 Reed Business Information, Inc.
Review
''[E]ntertaining, informative. . . . Mordden makes an amiable and authoritative guide as he tours readers through the studios of the 1930s and '40s, pointing out the hallmarks of the major houses: the MGM musical, the Paramount sex comedy, the Warner crime drama, and more. Written with a flair and clarity that will delight even the casual movie lover, this study is a refreshing and convincing alternative to the auteurist approach to film history.'' --Publishers Weekly
''Much film writing is either sappy or esoteric, but this book is accessible, well written, humorous and informed. Barrett Whitener is brisk and crisp--as always, a delight to listen to.'' --AudioFile
''Mordden's highly readable text discusses actors, directors, and producers and explains how and why each specific house style was nurtured and developed. Written with wit by an expert, this book gives more insight and perspective to the rise of the studios than such books as John Douglas Eames's The Paramount Story. Recommended for all film collections.'' --Library Journal
Most helpful customer reviews
15 of 15 people found the following review helpful.
A marvellous read
By Miss Yoka
If you're a fan of good movies (that's silents to the golden age for we in the know), this book offers a valuable overview of the old Hollywood studios and those who made them work (or not).
Always insightful, this book helps you realize why a certain film could only have been made by a certain studio, and clearly distinguishes the style of one studio from the next. Author Ethan Mordden writes so knowledgeably and entertainingly that you slow your reading pace down, just to make the pleasure last longer. Although written in a highly conversational tone (what books aren't these days?), Mordden considers his reader to be an active film viewer (i.e. "I hear murmurs in the house -- isn't 'Lady in the Dark' a musical? Not after Paramount got hold of it."). His apt criticism of Lewis Stone as MGM's all-American father ("How many of you, boys and girls, had a judge for a father?"), is a refreshing change from the far too many authors who merely rehash common facts in order to publish a film book with their name on it. Mordden respects his reader's film knowledge much more than that.
You may not agree with his opinion of certain films/directors/producers etc., but this book does what a good book on film ought to do, which is make you dash to your dvd/vhs collection and pull out a film to remind yourself of a particularly good scene or actress (or soundtrack). He describes cinematic moments in a suitably visual manner (you can almost see the smoke wisp away from Bette Davis's revolver in "The Letter") and his often witty analysis creates laugh aloud moments ("Screwball comedy, at heart, is about having money and fun. Warners is against both."). This is a very enjoyable read.
Any filmbuff would be pleased to have this in their reference library, whether to round out their knowledge of the studio systems or to make them appear just a bit more witty to their film-loving friends. Recommended.
12 of 12 people found the following review helpful.
A lot of endless rambling
By B. Gould
I am a huge fan of the old Hollywood studio era but was pretty disappointed in this book. It's probably a good place to start for someone who hasn't done alot of previous reading or research. To me it was a bunch of babbling and Mr. Mordden kept repeating the same point over, and over, and over(albeit changing the characters)... It didn't offer me anything new so I skimmed thru the first couple chapters and struggled to finish it, but finally just put it back on the shelf.
If you have an interest in the Hollywood studios, I would HIGHLY reccomend "The Glamour Factory" by Ronald Davis and "City of Nets" by Otto Friedrich, I found both of these very interesting - another great read is "Irving Thalberg: Boy Wonder" by Mark Vieira.
12 of 13 people found the following review helpful.
A Literate and Informed Guide to What Movie Studios Used to Be
By Michael Shepley
In an era in which MGM musicals are released on Warner Home Video; in which Selznick International films are co-released by MGM and 20th Century-Fox Home Video; in which early Paramount films are owned by Universal -- and at a time when no one young really knows or cares about a studio identity, particularly when present-day movies are preceded by a stunning handful of corporate logos -- this is an invaluable guide to how the old movie studios had their own personalities and styles.
Mordden really defines the identities of the studios, even though his writing can be precious and sometimes irritating. As a boomer who was introduced to the 1950s films of 20th Century-Fox on NBC-TV's "Saturday Night at the Movies" in the 1960s, I became a rabid Fox fan. Yet Mordden opened my eyes to a whole new way of viewing the studio and its output. And I was caught off guard (and almost persuaded) by his preference for Paramount as the best studio of all.
Studios meant something, and the films we see largely on Turner Classic Movies are the products of those specific places and their crazy, charismatic leaders. Do we know or care who has produced or distributed "Twilight" or "Sex and the City 2"? We'll never see the likes of these studios again, and Mordden's book -- along with other key volumes -- will be an invaluable tool in remembering them.
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