PDF Ebook A Touch of the Poet, by Eugene O'Neill
A Touch Of The Poet, By Eugene O'Neill. Accompany us to be member here. This is the web site that will offer you alleviate of looking book A Touch Of The Poet, By Eugene O'Neill to read. This is not as the other site; the books will certainly remain in the kinds of soft file. What benefits of you to be participant of this website? Get hundred collections of book link to download and install and also get consistently upgraded book daily. As one of guides we will certainly offer to you currently is the A Touch Of The Poet, By Eugene O'Neill that includes a quite satisfied principle.
A Touch of the Poet, by Eugene O'Neill
PDF Ebook A Touch of the Poet, by Eugene O'Neill
Discover the secret to enhance the lifestyle by reading this A Touch Of The Poet, By Eugene O'Neill This is a kind of publication that you need currently. Besides, it can be your favorite book to read after having this publication A Touch Of The Poet, By Eugene O'Neill Do you ask why? Well, A Touch Of The Poet, By Eugene O'Neill is a publication that has various unique with others. You could not have to recognize that the writer is, just how widely known the work is. As smart word, never evaluate the words from who talks, but make the words as your good value to your life.
The reason of why you could receive and also get this A Touch Of The Poet, By Eugene O'Neill quicker is that this is guide in soft data type. You could check out guides A Touch Of The Poet, By Eugene O'Neill wherever you want even you remain in the bus, office, residence, and various other locations. But, you might not have to relocate or bring guide A Touch Of The Poet, By Eugene O'Neill print anywhere you go. So, you will not have larger bag to lug. This is why your selection making better concept of reading A Touch Of The Poet, By Eugene O'Neill is truly valuable from this situation.
Knowing the way ways to get this book A Touch Of The Poet, By Eugene O'Neill is also important. You have actually remained in ideal website to start getting this info. Obtain the A Touch Of The Poet, By Eugene O'Neill link that we provide right here and see the web link. You could purchase the book A Touch Of The Poet, By Eugene O'Neill or get it as soon as possible. You can swiftly download this A Touch Of The Poet, By Eugene O'Neill after getting bargain. So, when you require the book promptly, you can straight get it. It's so simple and so fats, right? You should choose to by doing this.
Simply attach your device computer system or gadget to the net linking. Get the contemporary technology to make your downloading and install A Touch Of The Poet, By Eugene O'Neill completed. Even you don't want to check out, you could straight close guide soft file and open A Touch Of The Poet, By Eugene O'Neill it later. You could also quickly obtain the book almost everywhere, since A Touch Of The Poet, By Eugene O'Neill it remains in your gadget. Or when remaining in the office, this A Touch Of The Poet, By Eugene O'Neill is additionally recommended to read in your computer tool.
Written in 1936, but first staged posthumously in the late fifties, this play is the sole survivor of an ambitious cycle of plays spanning several generations of one "far from model" American family. The author received the Nobel Prize for Literature in 1936 and four Pulitzer Prizes.
- Sales Rank: #4233803 in Books
- Published on: 1983-03-12
- Released on: 1983-03-12
- Original language: English
- Dimensions: .70" h x 5.40" w x 9.01" l, .69 pounds
- Binding: Paperback
- 182 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
The only two surviving parts of O'Neill's 11-play cycle, "A Tale of Possessors Self-Dispossessed"
By D. Cloyce Smith
The two texts in this volume, "A Touch of the Poet" and "More Stately Mansions," are the fifth and sixth (and only extant) parts of what was to have become an 11-play cycle tentatively called "A Tale of Possessors Self-Dispossessed." Neither play was published or produced during O'Neill's lifetime, although "Poet" was staged (with Helen Hayes, Eric Portman, and Kim Stanley) in 1957 and is currently enjoying a revival in Manhattan, and an extensively abbreviated and heavily revised "Mansions" made its American debut (with Colleen Dewhurst, Ingrid Bergman, and Arthur Hill) in 1967.
Even though he left fairly complete manuscripts behind, it's probably unfair to critique O'Neill's unpublished, unstaged work. Like most other playwrights, O'Neill revised and honed his plays during readings and rehearsals, gauging the success or failure of lines and scenes as they were delivered and performed by the actors.
Even so, "A Touch of the Poet" turns out to be an unpolished gem. Its tragic hero, Cornelius Melody, is an Irish cavalry hero from the Napoleonic wars who moves to America and brings along his pretensions of being a "gentleman" in a young country with little use for the gentry. At the play's open, he is a shell of his former glory, running a tavern for the local riffraff and regaling an audience willing to endure his tales of heroism and high-living for a free round of drinks. His long-suffering wife bears the burden of his shattered dreams, and his proud daughter finds him little more than an embarrassment, rebelling against his goal of making her a finely bred lady. The dichotomy between Cornelius's delusions and his circumstances trap him in the same sort of schizophrenia that plagued John Loving, O'Neill's equally tragic hero in "Days Without End." While "Touch of a Poet" is rough around the edges, it's a strong hint of what could have been one of O'Neill's finest plays.
"More Stately Mansions" is another beast altogether. During the previous decade, O'Neill had read his fill of Freud and had undergone a series of extensive psychoanalytic treatments--and it shows here. Setting aside the impossible length of the play (which O'Neill surely would have cut had he finished it), the characters are unintentionally comical caricatures in a Freudian nightmare. Married to Sara (Cornelius's daughter from the previous play), Simon Harford is torn between his ambition to become a writer and his longing for success as an industrialist. He tries to please both his mother (poetry) and his wife (wealth); they at first compete for his attentions and then join forces to rule the roost and raise the children. Eventually, in his imagination, Simon conflates both of them and then manipulates each woman to compete with the other in a struggle for his soul and his household. "What made their petty sentimental women's world of lies and trivial greeds assume such a false importance?" he despairs, "--why did I have to meddle in their contemptible ambitions and let them involve me in a domestic squabble about the ownership of children?"
Simon's "meddling," along with the scheming complicity and mean-spirited rivalry of the two women, reduces his wife to a whore-like mistress and his mother to the Madonna-like figure he remembers from his childhood. The resulting three-way war lacks in subtlety what it boasts in absurdity, and the series of relentlessly tedious scenes pitting one bipolar/schizophrenic member of the trio against another would be impossible to stage in anything like its present form. (The first scene of Act 3, in particular, is among the worst ever conceived by O'Neill and is almost painful to read.) It's not difficult to see why O'Neill never finished this play--and it's equally clear he would be appalled to find it in print. (He even added a cover sheet to the draft exclaiming that the work was unfinished and should be destroyed on his death.) Unlike "A Touch of the Poet," this play will always be of interest only to scholars and to O'Neill fans who feel compelled to read everything he's written.
24 of 24 people found the following review helpful.
A powerful, unjustly neglected play
By A Customer
A Touch of the Poet is the only completed work in what Eugene O'Neill hoped to make into a nine-play cycle entitled "A Tale of Possessors, Self-dispossessed." Set in 1828 near Boston, it centers around Con Melody, an Irish immigrant who takes pride in having served with distinction under Wellington in the war against Napoleon and who fancies himself as a distinguished gentleman despite all evidence to the contrary. He is married to Nora, who he in some ways detests due to her peasant birth (Melody was born into a wealthy family, though it acquired that wealth rather unethically), and his grown daughter Sara is in love with Simon Harford, the son of a legitimately wealthy Yankee. Despite being severely in debt, Con insists on maintaining airs of gentlemanliness--he keeps a horse solely for the purpose of showing off, and, on the day the play is set, he throws a lavish party in celebration of the anniversary of his moment of military glory--often at the expense of Nora and Sara. Despite Con's airs, Harford's snobbish father sees him for what he is and objects to Sara and Simon's impending marriage (an objection Simon would readily defy). This insult deeply offends Con, who storms off to Harford's house intending to challenge him to a duel instead of staying out of Sara and Simon's way as a caring father would.
All three of the main characters (Con, Nora, and Sara) are quite memorable--Con for his bizarre delusions of grandeur, his insistence of living in his romaticized glorious past, and his alternation of cruelty and contrition toward his family (to say nothing of what happens to him at the end of the play, which I won't reveal); Nora for her moving proud love for Con despite his reprehensible treatment of her; and Sara for her impressive stands against her father and her devotion to Simon. There were times, though, when the characters demonstrated such extreme behavior that I had a hard time suspending my disbelief, which is the only reason I'm not giving the play five stars. Con is very often contrite for his behavior toward his family, which appears to have been going on for decades, yet in all that time it doesn't seem to have occurred to him that maybe he ought to modify or at least try to suppress his hostility to Nora and Sara. Sara, meanwhile, issues all sorts of condemnations of how Con treats Nora, all of which he deserves, but one would think that after a certain amount of time she would realize that she's wasting her breath. However, even if their actions are a bit unbelievable at times, all three characters are developed quite movingly.
While all of the play was quite gripping, the last half of the final act was for me at least as cathartic as anything else in the dozen or so O'Neill plays I've read. A Touch of the Poet, having been written around the same time as The Iceman Cometh, Long Day's Journey, and A Moon for the Misbegotten, tends to be overshadowed by those works, but it really is an excellent play that deserves vastly more attention than it gets.
10 of 14 people found the following review helpful.
Culture clash
By Mary E. Sibley
The setting of the play is 1828, Melody's tavern, not far from Boston. The Yankee gentry won't let the tavern owner, Cornelius Melody of Galway, come near them, a cousin of Con, Mickey Maloy relates. Con mistreats his wife, Nora. Sara is Con's daughter. Sara contends her father prefers his mare to his family. There are money woes. Nora has pride in her love for her husband. Sara is interested in Simon Harford, a rich man's son who attended Harvard, now living the life of a tinker, a tramp. Sara claims that Simon is a born dreamer. Nora says that Simon has the touch of a poet in him. Simon is timid. He hasn't told Sara yet he is in love with her.
At Talavera the Duke of Wellington commended Con's bravery. Con fancies himself a Byronic hero. Factually speaking, he is the owner of a tavern and he drinks too much. Mrs. Henry Harford, Deborah, arrives while Con is preening before the mirror. Simon's mother received an unsigned letter telling her about Simon and Sara. Simon's grandfather had been an idealist. Deborah sees that Sara is strong, ambitious, and determined. Deborah warns Sara that Harfords never part with their dreams.
Sara is put into a state of hysterical laughter because her father, Con, has the presumption to speak with Simon about the terms of a marriage. Gadsby, an attorney representing Henry Harford, arrives. He tells Con that Harford opposes the marriage of Simon and Sara. Henry Harford offers a monetary settlement for nonmarriage. Seeking an interview with Henry Harford, Con is beaten by the Harford servants. In a state of lunacy he kills his mare. In the end Sara comes to see that her mother is strange and powerful and that she should follow the example of her mother.
This is a beautiful play. Reading it offers some consolation for not seeing it produced.
A Touch of the Poet, by Eugene O'Neill PDF
A Touch of the Poet, by Eugene O'Neill EPub
A Touch of the Poet, by Eugene O'Neill Doc
A Touch of the Poet, by Eugene O'Neill iBooks
A Touch of the Poet, by Eugene O'Neill rtf
A Touch of the Poet, by Eugene O'Neill Mobipocket
A Touch of the Poet, by Eugene O'Neill Kindle
Tidak ada komentar:
Posting Komentar